{"?xml":{"@version":"1.0"},"edm:RDF":{"@xmlns:dc":"http://purl.org/dc/elements/1.1/","@xmlns:edm":"http://www.europeana.eu/schemas/edm/","@xmlns:wgs84_pos":"http://www.w3.org/2003/01/geo/wgs84_pos","@xmlns:foaf":"http://xmlns.com/foaf/0.1/","@xmlns:rdaGr2":"http://rdvocab.info/ElementsGr2","@xmlns:oai":"http://www.openarchives.org/OAI/2.0/","@xmlns:owl":"http://www.w3.org/2002/07/owl#","@xmlns:rdf":"http://www.w3.org/1999/02/22-rdf-syntax-ns#","@xmlns:ore":"http://www.openarchives.org/ore/terms/","@xmlns:skos":"http://www.w3.org/2004/02/skos/core#","@xmlns:dcterms":"http://purl.org/dc/terms/","edm:WebResource":[{"@rdf:about":"http://www.dlib.si/stream/URN:NBN:SI:doc-GEGNS3MA/b094c46e-a447-4bde-bba3-5a8eee1af054/PDF","dcterms:extent":"105 KB"},{"@rdf:about":"http://www.dlib.si/stream/URN:NBN:SI:doc-GEGNS3MA/416a4517-bb1a-4fe1-bad9-9d5a11900593/TEXT","dcterms:extent":"32 KB"}],"edm:TimeSpan":{"@rdf:about":"1965-2025","edm:begin":{"@xml:lang":"en","#text":"1965"},"edm:end":{"@xml:lang":"en","#text":"2025"}},"edm:ProvidedCHO":{"@rdf:about":"URN:NBN:SI:doc-GEGNS3MA","dcterms:isPartOf":[{"@rdf:resource":"https://www.dlib.si/details/URN:NBN:SI:spr-TGP90WRZ"},{"@xml:lang":"sl","#text":"Muzikološki zbornik"}],"dcterms:issued":"2014","dc:contributor":["Nagode, Aleš","Rijavec, Andrej"],"dc:creator":"Schultz, Wolfgang-Andreas","dc:format":[{"@xml:lang":"sl","#text":"številka:2"},{"@xml:lang":"sl","#text":"letnik:50"},{"@xml:lang":"sl","#text":"str. 7-16"}],"dc:identifier":["ISSN:0580-373X","COBISSID:56545634","URN:URN:NBN:SI:doc-GEGNS3MA"],"dc:language":"de","dc:publisher":{"@xml:lang":"sl","#text":"Znanstvena založba Filozofske fakultete"},"dc:subject":[{"@xml:lang":"sl","#text":"duhovnost"},{"@xml:lang":"sl","#text":"evolucija zavesti"},{"@xml:lang":"sl","#text":"zgodovina glasbe"}],"dcterms:temporal":{"@rdf:resource":"1965-2025"},"dc:title":{"@xml:lang":"sl","#text":"Musikgeschichte als heilige Geschichte - ein Versuch, die Entwicklung neu zu verstehen| Zgodovina glasbe kot svéta zgodovina - poskus novega razumevanja razvoja|"},"dc:description":[{"@xml:lang":"sl","#text":"The attempt to explain developments in music history, not as movement of material (Adorno) but as the unfolding of man's potentials, has its origin in the image and theory of man as offered by the evolution of consciousness (Jean Gebser, Ken Wilber and others). Since 1600 there has been a development of \"spiritual signatures\"; the article gives a survey of its chances and dangers from the Baroque era up to Postmodernism"},{"@xml:lang":"sl","#text":"Poskus, da bi glasbenozgodovinske tokove pojasnili z razvijanjem v človeka vsajenih zmožnosti in ne z gibanjem gradiva (Adorno), izhaja iz podobe človeka in teorije evolucije zavesti (Jean Gebser, Ken Wilber idr.). V glasbi po 1600 so se razvile \"duhovne signature\", katerih možnosti in nevarnosti bodo pregledno predstavljene od baroka do postmoderne"}],"edm:type":"TEXT","dc:type":[{"@xml:lang":"sl","#text":"znanstveno časopisje"},{"@xml:lang":"en","#text":"journals"},{"@rdf:resource":"http://www.wikidata.org/entity/Q361785"}]},"ore:Aggregation":{"@rdf:about":"http://www.dlib.si/?URN=URN:NBN:SI:doc-GEGNS3MA","edm:aggregatedCHO":{"@rdf:resource":"URN:NBN:SI:doc-GEGNS3MA"},"edm:isShownBy":{"@rdf:resource":"http://www.dlib.si/stream/URN:NBN:SI:doc-GEGNS3MA/b094c46e-a447-4bde-bba3-5a8eee1af054/PDF"},"edm:rights":{"@rdf:resource":"http://creativecommons.org/licenses/by-sa/4.0/"},"edm:provider":"Slovenian National E-content Aggregator","edm:intermediateProvider":{"@xml:lang":"en","#text":"National and University Library of Slovenia"},"edm:dataProvider":{"@xml:lang":"sl","#text":"Univerza v Ljubljani, Filozofska fakulteta"},"edm:object":{"@rdf:resource":"http://www.dlib.si/streamdb/URN:NBN:SI:doc-GEGNS3MA/maxi/edm"},"edm:isShownAt":{"@rdf:resource":"http://www.dlib.si/details/URN:NBN:SI:doc-GEGNS3MA"}}}}