<?xml version="1.0"?><rdf:RDF xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:edm="http://www.europeana.eu/schemas/edm/" xmlns:wgs84_pos="http://www.w3.org/2003/01/geo/wgs84_pos" xmlns:foaf="http://xmlns.com/foaf/0.1/" xmlns:rdaGr2="http://rdvocab.info/ElementsGr2" xmlns:oai="http://www.openarchives.org/OAI/2.0/" xmlns:owl="http://www.w3.org/2002/07/owl#" xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:ore="http://www.openarchives.org/ore/terms/" xmlns:skos="http://www.w3.org/2004/02/skos/core#" xmlns:dcterms="http://purl.org/dc/terms/"><edm:WebResource rdf:about="http://www.dlib.si/stream/URN:NBN:SI:doc-GEXADHNX/d4561ba7-6d40-4677-84e1-5303dccd08cb/HTML"><dcterms:extent>43 KB</dcterms:extent></edm:WebResource><edm:WebResource rdf:about="http://www.dlib.si/stream/URN:NBN:SI:doc-GEXADHNX/1f1373d6-79d1-4c39-9ce4-1e05ac6216aa/PDF"><dcterms:extent>455 KB</dcterms:extent></edm:WebResource><edm:WebResource rdf:about="http://www.dlib.si/stream/URN:NBN:SI:doc-GEXADHNX/37949481-ffa9-4ca9-b928-0c8cd5ba30de/TEXT"><dcterms:extent>40 KB</dcterms:extent></edm:WebResource><edm:TimeSpan rdf:about="1965-2025"><edm:begin xml:lang="en">1965</edm:begin><edm:end xml:lang="en">2025</edm:end></edm:TimeSpan><edm:ProvidedCHO rdf:about="URN:NBN:SI:doc-GEXADHNX"><dcterms:isPartOf rdf:resource="https://www.dlib.si/details/URN:NBN:SI:spr-TGP90WRZ" /><dcterms:issued>2007</dcterms:issued><dc:creator>Barsova, Inna Alekseevna</dc:creator><dc:format xml:lang="sl">številka:2</dc:format><dc:format xml:lang="sl">letnik:43</dc:format><dc:format xml:lang="sl">str. 219-232</dc:format><dc:identifier>ISSN:0580-373X</dc:identifier><dc:identifier>COBISSID:36309090</dc:identifier><dc:identifier>URN:URN:NBN:SI:doc-GEXADHNX</dc:identifier><dc:language>de</dc:language><dc:publisher xml:lang="sl">Filozofska fakulteta, Oddelek za muzikologijo</dc:publisher><dcterms:isPartOf xml:lang="sl">Muzikološki zbornik</dcterms:isPartOf><dc:subject xml:lang="sl">analiza</dc:subject><dc:subject xml:lang="sl">beseda</dc:subject><dc:subject xml:lang="sl">etimologija</dc:subject><dc:subject xml:lang="en">etymology</dc:subject><dc:subject xml:lang="sl">glasba</dc:subject><dc:subject xml:lang="en">music</dc:subject><dc:subject xml:lang="sl">notranja forma</dc:subject><dcterms:temporal rdf:resource="1965-2025" /><dc:title xml:lang="sl">Poskus etimološke analize glasbe| An attempt at the etymological analysis of music|</dc:title><dc:description xml:lang="sl">The theory of the "inner form", developed by the Russian scientist A. Potebnja from the theory of W. Humboldts, includes a procedure that is useful for etymological analysis. The musicologically relevant aspects of this teachings are: 1. the search for the deeper "linguistic sense" present in a work of art; 2. an analogy between the work of art and the world - both of which include the "total sense"; 3. the three substances of words and artworks- (spiritual) content (Gehalt), inner form (innere Form) and outer form (äussere Form) - as opposed to two: form and content. "Inner form" can emerge through different "etyma", such as the scale, the rhetorical figure, the motive and performed pitch, the quotation, the genre and ritual. In comparison to a holistic or structural analysis, or to other kinds of music analysis, the etymological analysis of music can create a sense of the historical dynamic of a musical language</dc:description><dc:description xml:lang="sl">Teorija "notranje forme", ki jo je razvil ruski znanstvenik A. Potebnja iz teorije W. Humoldta, vključuje postopek, uporaben za etimološko analizo. Muzikološki pomen tega nauka kaže iskati v naslednjih vsebinah: 1. iskanje globljega lingvističnega smisla v umetnini; 2. analogija med umetnino in svetom - v obeh je vključen "totalni smisel"; 3. tri substance besede in umetnine - (duhovna) vsebina, notranja forma in zunanja forma - nasproti dvema: formi in vsebini. "Notranja forma" lahko nastopi skozi različne "etime", kot so lestvica, retorična figura, motiv ali izvedena tonska višina, citat, zvrst, ritual. V primerjavi s celostno ali strukturno analizo, ali pa tudi z drugimi vrstami analize, etimološka analiza glasbe lahko ustvari občutek zgodovinske dinamike glasbenega jezika</dc:description><edm:type>TEXT</edm:type><dc:type xml:lang="sl">znanstveno časopisje</dc:type><dc:type xml:lang="en">journals</dc:type><dc:type rdf:resource="http://www.wikidata.org/entity/Q361785" /></edm:ProvidedCHO><ore:Aggregation rdf:about="http://www.dlib.si/?URN=URN:NBN:SI:doc-GEXADHNX"><edm:aggregatedCHO rdf:resource="URN:NBN:SI:doc-GEXADHNX" /><edm:isShownBy rdf:resource="http://www.dlib.si/stream/URN:NBN:SI:doc-GEXADHNX/1f1373d6-79d1-4c39-9ce4-1e05ac6216aa/PDF" /><edm:rights rdf:resource="http://creativecommons.org/licenses/by-sa/4.0/" /><edm:provider>Slovenian National E-content Aggregator</edm:provider><edm:intermediateProvider xml:lang="en">National and University Library of Slovenia</edm:intermediateProvider><edm:dataProvider xml:lang="sl">Univerza v Ljubljani, Filozofska fakulteta</edm:dataProvider><edm:object rdf:resource="http://www.dlib.si/streamdb/URN:NBN:SI:doc-GEXADHNX/maxi/edm" /><edm:isShownAt rdf:resource="http://www.dlib.si/details/URN:NBN:SI:doc-GEXADHNX" /></ore:Aggregation></rdf:RDF>