335 KB24 KB195520252021Pezdirc-Bartol, Matejaštevilka:4letnik:66str. 97-105, 140-141ISSN:0021-6933COBISSID_HOST:96581635URN:URN:NBN:SI:doc-GINS13U2slSlavistično društvo SlovenijeJezik in slovstvoJarc, MiranladjaMirčevska, Žaninamorjepesniški jezikpoetic languageshipsSlovenian dramaSlovenske dramethe oceanZupan, VitomilPodoba ladje in morja v treh slovenskih dramah|In this paper, we analyse three Slovenian plays: Ognjeni zmaj (Fire Dragon) by Miran Jarc, Ladja brez imena (Ship Without a Name) by Vitomil Zupan and Konec Atlasa (The End of Atlas) by Žanina Mirčevska. Although these texts are from three different periods, they share a common setting, namely, a ship on a stormy sea. We find that a ship in the middle of the ocean is a metaphor for human unease and inner struggles, and develops into a symbol of man’s navigation between good and evil. Accordingly, the ocean symbolises man’s thrownness into the world and raises fundamental ontological questions about existence, meaning and individual moral responsibility. Another connection between the texts is the style of writing, as all three are characterised by rich symbolism, use of metaphor, and poetic language. The dramatic texts stress the allegorical nature of the plot, the poetic nature of the language, and the yearning to discover some overall truth about the world, often also connecting with biblical traditionV članku analiziramo tri slovenske drame: Ognjeni zmaj Mirana Jarca, Ladja brez imena Vitomila Zupana in Konec Atlasa Žanine Mirčevske. Čeprav gre za besedila iz treh različnih časovnih obdobij, jih povezuje prostor dogajanja, to je ladja, postavljena na razburkano morje. Raziskava pokaže, da je ladja sredi oceana prispodoba za človekov nemir in notranje boje ter prerašča v simbol človekove plovbe med dobrim in zlim, morje pa posledično simbolizira človekovo vrženost v svet in odpira temeljna ontološka vprašanja o obstoju in smislu ter moralni odgovornosti posameznika. Besedila povezuje tudi slog pisanja, saj je za vsa tri značilna bogata simbolika in metaforika ter pesniški jezik. Dramska besedila izpostavljajo alegoričnost dogajanja, poetičnost jezika, težnjo po spoznavanju neke celostne resnice o svetu, pogosto tudi z navezavo na svetopisemsko izročiloTEXTznanstveno časopisjejournalsSlovenian National E-content AggregatorNational and University Library of SloveniaSlavistično društvo Slovenije