<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-GR5CBY2P</identifier><date>2023</date><creator>Rüden, Heidi von</creator><relation>documents/doc/G/URN_NBN_SI_doc-GR5CBY2P_001.pdf</relation><relation>documents/doc/G/URN_NBN_SI_doc-GR5CBY2P_001.txt</relation><format format_type="volume">19</format><format format_type="issue">2</format><format format_type="type">article</format><format format_type="extent">str. 101-118</format><identifier identifier_type="DOI">10.3986/dmd19.2.05</identifier><identifier identifier_type="ISSN">1854-3405</identifier><identifier identifier_type="COBISSID">186069507</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-GR5CBY2P</identifier><language>eng</language><publisher>Muzikološki inštitut ZRC SAZU</publisher><source>De musica disserenda</source><rights>BY-NC-ND</rights><subject language_type_id="slv">1736</subject><subject language_type_id="slv">Italija</subject><subject language_type_id="slv">izdelovanje glasbil</subject><subject language_type_id="slv">mandora</subject><subject language_type_id="slv">pandurina</subject><subject language_type_id="slv">ponaredki</subject><subject language_type_id="slv">Rim</subject><subject language_type_id="slv">Smorsone, Giovanni</subject><subject language_type_id="slv">tomografija</subject><title>Original, fake, or a little of both?</title><title>on the question of the authenticity of a pandurina by Giovanni Smorsone</title></Record>