<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-GSLJ8WGB</identifier><date>2017</date><creator>Tulić, Damir</creator><relation>documents/doc/G/URN_NBN_SI_doc-GSLJ8WGB_001.pdf</relation><relation>documents/doc/G/URN_NBN_SI_doc-GSLJ8WGB_001.txt</relation><format format_type="issue">53</format><format format_type="type">article</format><format format_type="extent">str. 131-146, 261</format><identifier identifier_type="ISSN">0351-224X</identifier><identifier identifier_type="COBISSID">516312447</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-GSLJ8WGB</identifier><language>ita</language><publisher>Slovensko umetnostnozgodovinsko društvo</publisher><source>Zbornik za umetnostno zgodovino (Nova vrsta)</source><rights>InC</rights><subject language_type_id="slv">17./18.st.</subject><subject language_type_id="slv">baročno kiparstvo</subject><subject language_type_id="slv">beneški barok</subject><subject language_type_id="slv">beneški kiparji</subject><subject language_type_id="slv">Gai, Antonio</subject><title>Antonio Gai per l'ex Abbazia di Busco</title><title>Il cardinale ritrovato</title></Record>