371 KB44 KB195520252022Zupan Sosič, Alojzijaštevilka:3letnik:67str. 45-57ISSN:0021-6933DOI:10.4312/jis.67.3.45-57COBISSID_HOST:134952451URN:URN:NBN:SI:doc-HLVGW367slSlavistično društvo SlovenijeJezik in slovstvoBerková, AlexandraBojetu, Bertadomestication of womendomestifikacija ženskDrakulić, Slavenkagender stereotypesmasculinitymoškosrediščnostsexual socialisationSlavic literatureSlavic novelsslovanska književnostslovanski romanispolna socializacijaspolni stereotipiSpolni stereotipi v treh slovanskih romanih: Filio ni doma, Kot da me ni in Temna ljubezen|The present research of gender stereotypes in three Slavic novels is twofold. The first part presents gender stereotypes, while the second deals with their analysis and interpretation in the following nov-els: Filio Is Not At Home by Berta Bojetu, As If I Were Not by Slavenka Drakulić and Dark Love by Alexandra Berková. The study showed that the key categories for the modern approach to gender stereotypes are androgyny, phantasm, performance and criticism of misogyny, while for gender stere-otypes in the discussed novels, the global gender stereotype is fatal: a man is the head and a woman is the heart. Its danger in Filio Is Not At Home is recognised as an anti-utopian means of depersonalising people, in As If I Were Not as a confirmation of the aggressive male-centred principle, while in Dark Love stereotypical sexual socialisation is condemned as a perverse ideology of (male) violence through the following stereotypes: female caregiver, woman-servant to man and child, woman-admirer of man and man-masterRaziskava spolnih stereotipov v treh slovanskih romanih je dvodelna: prvi del predstavi spolne stere-otipe, drugi pa se ukvarja z njihovo analizoin interpretacijo v naslednjih romanih: Filio ni doma Berte Bojetu, Kot da me ni Slavenke Drakulić in Temna ljubezen Alexandre Berkove. Študija je nakazala, da so ključne kategorije za sodobni pristop k spolnim stereotipom androginost, fantazma, performans in kritika mizoginije, za spolne stereotipe v (obravnavanih) romanih pa je usoden globalni spolni stereotip – moški je glava in ženska je srce. Njegova nevarnost je v Filio ni doma prepoznana kot antiutopično sredstvo razosebljanja ljudi, v Kot da me ni kot potrditev agresivnega moškosrediščnega principa, medtem ko je v Temni ljubezni stereotipna spolna socializacija obsojena kot perverzna ideologija (mo-škega) nasilja s pomočjo naslednjih stereotipov: ženska-negovalka, ženska-služabnica moškemu in otroku, ženska-občudovalka moškega, moški-gospodarTEXTznanstveno časopisjejournalsSlovenian National E-content AggregatorNational and University Library of SloveniaSlavistično društvo Slovenije