<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-IQSBSDUV</identifier><date>2013</date><creator>Nagode, Aleš</creator><relation>documents/doc/I/URN_NBN_SI_doc-IQSBSDUV_001.pdf</relation><relation>documents/doc/I/URN_NBN_SI_doc-IQSBSDUV_001.txt</relation><format format_type="issue">2</format><format format_type="volume">49</format><format format_type="type">article</format><format format_type="extent">str. 49-59</format><identifier identifier_type="ISSN">0580-373X</identifier><identifier identifier_type="COBISSID">53589602</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-IQSBSDUV</identifier><language>eng</language><publisher>Znanstvena založba Filozofske fakultete</publisher><source>Muzikološki zbornik</source><rights>BY-SA</rights><subject language_type_id="slv">19.-20.st.</subject><subject language_type_id="slv">cerkvena glasba</subject><subject language_type_id="slv">glasbeno zgodovinopisje</subject><subject language_type_id="eng">Slovenia</subject><subject language_type_id="slv">Slovenija</subject><title>The end of the "grand narrative"?</title><title>understanding Slovenian churchmusic of the late 19th and early 20th century</title><title>k razumevanju slovenske cerkvene glasbe poznega 19. in zgodnjega 20. stoletja</title><title>Konec "velike pripovedi"?</title></Record>