238 KB50 KB196520252010Hochradner, Thomasštevilka:1letnik:46str. 5-19ISSN:0580-373XCOBISSID:42848098URN:URN:NBN:SI:doc-JCSJI5SKenZnanstvena založba Filozofske fakulteteMuzikološki zbornik1740-1817Gatti, Luigimali mojstriSchiedermayer, Johann Baptistskladatelji'B-composers' or: how can you become a 'Kleinmeister'?| Skladatelji druge katagorije ali kako postaneš "Kleinmeister"|Filling gaps between the 'Great Composers' so called 'Kleinmeister' cause various problems in writing about the history of music. On the one hand one-sided perspectives will be the result as long as the works of 'Kleinmeister' are to be discussed with standards of qualities that have been developed with regard to 'top compositions'. On the other hand a deficient sighting of sources often complicates the estimation of those composers, who certainly have not reached an outstanding position within the common repertory, however as a foil of contemporary artistic work allow the 'great' works of the prominent ones to stand out. Such difficulties in methodical and archival accesses will firstly be considered by examining the Salzburg surroundings of Wolfgang Amadé Mozart and the Linz surroundings of Anton Bruckner. A catalogue of criteria determining a composer's being treated as a 'Kleinmeister' shall arise and make up the basis to discuss significance and liking when speaking about 'Kleinmeister' in musicological studies"Polnila" med "velikimi skladatelji" - t.i. "mali mojstri"- povzročajo različne probleme pri pisanju glasbene zgodovine. Na eni prihaja do enostranskega gledanja na dela "malih mojstrov", dokler jih obravnavamo po kriterijih, ki smo jih razvili za "vrhunske skladbe". Na drugi strani pa pomanjkljiv vpogled v vire komplicira vrednotenje tistih skladateljev, ki niso dosegli izstopajoče pozicije v glasbenem repertoarju, pred katerim se, pa čeprav kot ozadje, profilirajo "velika" dela. Te in take metodološke in arhivske težave se prvič obravnavajo ob salzburškem okolju Wolfganga A. Mozarta in linškem Antona Brucknerja. Iz česar naj bi izšel katalog kriterijev, po katerih se določen skladatelj obravnava kot "mali mojster", kar bo lahko rabilo kot podlaga muzikološkim študijam pri utemeljevanju njihovega pomena in priljubljenostiTEXTznanstveno časopisjejournalsSlovenian National E-content AggregatorNational and University Library of SloveniaUniverza v Ljubljani, Filozofska fakulteta