<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-JDDF9YJI</identifier><date>2012</date><creator>Udovič, Špela</creator><relation>documents/doc/J/URN_NBN_SI_doc-JDDF9YJI_001.pdf</relation><relation>documents/doc/J/URN_NBN_SI_doc-JDDF9YJI_001.txt</relation><format format_type="issue">1/2</format><format format_type="volume">44</format><format format_type="type">article</format><format format_type="extent">str. 105-118</format><identifier identifier_type="ISSN">0587-5161</identifier><identifier identifier_type="COBISSID">36155909</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-JDDF9YJI</identifier><language>slv</language><publisher>Društvo psihologov Slovenije</publisher><publisher>Slovensko filozofsko društvo</publisher><source>Anthropos (Ljubljana)</source><rights>InC</rights><subject language_type_id="slv">likovna teorija</subject><subject language_type_id="slv">likovna umetnost</subject><subject language_type_id="slv">novi mediji</subject><subject language_type_id="slv">teorija umetnosti</subject><subject language_type_id="eng">visual arts</subject><title>Geometrizacija polja likovne materije v refleksiji družbenih značilnosti dvajsetega stoletja</title></Record>