827 KB0 KB195520252020Bjelčevič, Aleksanderštevilka:3/4letnik:65str. 55-84, 354ISSN:0021-6933COBISSID_HOST:51425283URN:URN:NBN:SI:doc-K4CGQJN8slSlavistično društvo SlovenijeJezik in slovstvoaccentual-syllabic versecerkvena pesemchurch songkiticarhymerhythmrimaritemsilabizemsilabotonizemstanzasyllabic verseverzifikacijski sistemSlovenski verz od srednjega veka do Prešerna|The article presents the metrical and strophic repertoire, the rhythm and rhyme of religious songs from the Middle Ages to the end of the eighteenth century, addressing the Latin and German origins of this repertoire, the internationality of church songs, the gradual transformation from syllabic verse to accentual-syllabic, and the influence on the strophic repertoire of secular songs from Janez Dev to France Prešeren (from the second half of the eighteenth century to first half of the nineteenth century). Over the centuries, church songs have created dozens of stanzaic types, some very complex, and only the most common and simplest types have come into folk and secular song, such as long metre, Romanzenstrophe, stabat mater stanza and Hildebrand's stanzaPrispevek prikazuje metrični in kitični repertoar, ritmiko in rimo verskih pesmi od srednjega veka do konca 18. stoletja, latinske in nemške izvore tega repertoarja, mednarodnost cerkvenih pesmi, postopno preobrazbo iz silabičnega verznega sistema v silabotoničnega ter njihov vpliv na kitični repertoar posvetnih pesmi od Pisanic do Prešerna. Cerkvene pesmi so tekom stoletij ustvarile na desetine vrst kitic, nekatere zelo zapletene, v ljudske in posvetne pesmi pa so prišle le najpogostejše in najenostavnejše kot ambrozijanska, romarska, stabat mater in hildebrandska kiticaTEXTznanstveno časopisjejournalsSlovenian National E-content AggregatorNational and University Library of SloveniaSlavistično društvo Slovenije