<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-LJO9OCIJ</identifier><date>2011</date><creator>Belotti, Michael</creator><relation>documents/doc/L/URN_NBN_SI_doc-LJO9OCIJ_001.pdf</relation><relation>documents/doc/L/URN_NBN_SI_doc-LJO9OCIJ_001.txt</relation><format format_type="issue">2</format><format format_type="volume">47</format><format format_type="type">article</format><format format_type="extent">str. 103-113</format><identifier identifier_type="ISSN">0580-373X</identifier><identifier identifier_type="COBISSID">47566434</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-LJO9OCIJ</identifier><language>ger</language><publisher>Znanstvena založba Filozofske fakultete</publisher><source>Muzikološki zbornik</source><rights>BY-SA</rights><subject language_type_id="eng">alternatim practice</subject><subject language_type_id="eng">improvisational practice</subject><subject language_type_id="slv">improvizacijska praksa</subject><subject language_type_id="eng">North German organ music</subject><subject language_type_id="eng">organ chorale</subject><subject language_type_id="slv">orgelski koral</subject><subject language_type_id="slv">praksa alternatim</subject><subject language_type_id="slv">severnonemška orgelska glasba</subject><title>Die norddeutsche Choralbearbeitung - rein funktionale Musik?</title><title>Severnonemške koralne obdelave - čista funkcionalna glasba?</title></Record>