22 KB4091 KB20 KB195520251999Gabrič, Alešletnik:44številka:5str. 163-168ISSN:0021-6933COBISSID:10358882URN:URN:NBN:SI:doc-LXNN6XK4slSlavistično društvo SlovenijeJezik in slovstvoartBela krajinaculturedruga svetovna vojnahistorykulturapoliticspolitikaslovenska literarna zgodovinaumetnostWhite CarniolaWorld War IIzgodovinaUmetnost in politika v partizanski Beli krajini|The paper discusses literary activism and censorship in the Partisan-controlled region of Bela krajina during World War II. Attempts to bridle negative sides of the activism came from artists among Partisans, who cleared up a number of questions in their open discussion with politicians. However, differences remained and even intensified after the war. During the war, artists were not constrained so much by censorship as by self-censorship. Political leaders, rather than by using censorship, exerted their influence by dividing artists into more and less wanted, or even unwanted and unofficially banned. In this categorisation, the main criteria were not artistic but political. Censorship and other intervention by influential politicians in art were during the war less common than either before or after it. There does not seem to have been a real need for that, as the influence of war and political divisions on artists was strongly reflectedin their works anyway, so any call for engaged and propagandistic literature was superfluousPrispevek govori o literarnem aktivizmu in cenzuri v partizanski Beli krajini. Slabe strani aktivizma so omejevali med partizani, ki so v odkritem pogovoru s politiki razjasnili nekatera odprta vprašanja, razlike pa so le še ostale in se še močneje pojavile v prvem povojnem obdobju. Bolj kot cenzuri so bili so bili umetniki v vojnem času podvrženi avtocenzuri. Politika je namesto klasične cenzure na umetniško področje vplivala z ločevanjem umetnikov na bolj in manj zaželene ali celo nezaželene in neuradno prepovedane. Pri ločevanju so glavno vlogo namesto kulturnih prevzeli politični kriteriji. Cenzurnih in drugih posegov političnih veljakov na umetniška tla je bilo med vojno manj kot pred njo in njej. Za te niti ni bilo pravega vzroka niti potrebe, saj se je vpliv vojne in političnih delitev na umetnike močno obdržal v njihovem delu je bil poziv k aktualnosti ali literarnemu propagandizmu odvečenTEXTznanstveno časopisjejournalsSlovenian National E-content AggregatorNational and University Library of Slovenia