<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-LY26P7P3</identifier><date>2024</date><creator>Kennedy, Amy</creator><relation>documents/doc/L/URN_NBN_SI_doc-LY26P7P3_001.pdf</relation><relation>documents/doc/L/URN_NBN_SI_doc-LY26P7P3_001.txt</relation><format format_type="issue">2</format><format format_type="volume">57</format><format format_type="type">article</format><format format_type="extent">str. 63-74</format><identifier identifier_type="ISSN">0567-784X</identifier><identifier identifier_type="DOI">10.4312/an.57.2.63-74</identifier><identifier identifier_type="COBISSID_HOST">243759875</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-LY26P7P3</identifier><language>eng</language><publisher>Založba Univerze v Ljubljani</publisher><source>Acta neophilologica</source><rights>BY-SA</rights><subject language_type_id="slv">adaptacija</subject><subject language_type_id="eng">adaptation</subject><subject language_type_id="slv">intertekstualnost</subject><subject language_type_id="eng">intertextuality</subject><subject language_type_id="eng">moral ambiguity</subject><subject language_type_id="slv">moralna dvoumnost</subject><subject language_type_id="eng">postmodern fantasy</subject><subject language_type_id="slv">postmoderna fantazija</subject><subject language_type_id="slv">Pratchett, Terry</subject><title>The good, the evil, and the morally ambiguous</title><title>the demon Crowley in Terry Pratchett’s and Neil Gaiman’s postmodern fantasy Good omens and its television adaptation</title></Record>