<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-M8O4LXDZ</identifier><date>2024</date><creator>Žele, Marisa</creator><relation>documents/doc/M/URN_NBN_SI_doc-M8O4LXDZ_001.pdf</relation><relation>documents/doc/M/URN_NBN_SI_doc-M8O4LXDZ_001.txt</relation><format format_type="issue">2</format><format format_type="volume">45</format><format format_type="type">article</format><format format_type="extent">str. 377-399</format><identifier identifier_type="ISSN">0353-4510</identifier><identifier identifier_type="DOI">10.3986/fv.45.2.17</identifier><identifier identifier_type="COBISSID">222962435</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-M8O4LXDZ</identifier><language>eng</language><publisher publisher_location="Ljubljana">Filozofski inštitut ZRC SAZU</publisher><source>Filozofski vestnik</source><rights>BY-SA</rights><subject language_type_id="slv">avtomatoni</subject><subject language_type_id="slv">strašljivost</subject><subject language_type_id="slv">stroji</subject><subject language_type_id="slv">umetni človek</subject><title>The case of Euphonia</title><title>the voice of "The wonderful talking machine" and the horror of the artificial man</title></Record>