{"?xml":{"@version":"1.0"},"edm:RDF":{"@xmlns:dc":"http://purl.org/dc/elements/1.1/","@xmlns:edm":"http://www.europeana.eu/schemas/edm/","@xmlns:wgs84_pos":"http://www.w3.org/2003/01/geo/wgs84_pos","@xmlns:foaf":"http://xmlns.com/foaf/0.1/","@xmlns:rdaGr2":"http://rdvocab.info/ElementsGr2","@xmlns:oai":"http://www.openarchives.org/OAI/2.0/","@xmlns:owl":"http://www.w3.org/2002/07/owl#","@xmlns:rdf":"http://www.w3.org/1999/02/22-rdf-syntax-ns#","@xmlns:ore":"http://www.openarchives.org/ore/terms/","@xmlns:skos":"http://www.w3.org/2004/02/skos/core#","@xmlns:dcterms":"http://purl.org/dc/terms/","edm:WebResource":[{"@rdf:about":"http://www.dlib.si/stream/URN:NBN:SI:doc-N5XLHACT/53a5c0a8-9d48-4e46-a086-8cc1b1f95a26/PDF","dcterms:extent":"848 KB"},{"@rdf:about":"http://www.dlib.si/stream/URN:NBN:SI:doc-N5XLHACT/2cdb4d75-78c9-43a5-bb30-e23bd202c04f/TEXT","dcterms:extent":"34 KB"}],"edm:TimeSpan":{"@rdf:about":"1955-2025","edm:begin":{"@xml:lang":"en","#text":"1955"},"edm:end":{"@xml:lang":"en","#text":"2025"}},"edm:ProvidedCHO":{"@rdf:about":"URN:NBN:SI:doc-N5XLHACT","dcterms:isPartOf":[{"@rdf:resource":"https://www.dlib.si/details/URN:NBN:SI:spr-2SDQL3ET"},{"@xml:lang":"sl","#text":"Jezik in slovstvo"}],"dcterms:issued":"2023","dc:creator":"Toporišič, Tomaž","dc:format":[{"@xml:lang":"sl","#text":"številka:1"},{"@xml:lang":"sl","#text":"letnik:68"},{"@xml:lang":"sl","#text":"str. 69-80"}],"dc:identifier":["ISSN:0021-6933","DOI:10.4312/GMAD1258","COBISSID_HOST:146937859","URN:URN:NBN:SI:doc-N5XLHACT"],"dc:language":"sl","dc:publisher":{"@xml:lang":"sl","#text":"Slavistično društvo Slovenije"},"dc:subject":[{"@xml:lang":"sl","#text":"ekspresionizem"},{"@xml:lang":"en","#text":"expresionism"},{"@xml:lang":"sl","#text":"Grum, Slavko"},{"@xml:lang":"en","#text":"historical avant-garde"},{"@xml:lang":"en","#text":"new drama"},{"@xml:lang":"sl","#text":"nova drama"},{"@xml:lang":"sl","#text":"simbolizem"},{"@xml:lang":"en","#text":"Slovenian drama"},{"@xml:lang":"sl","#text":"slovenska dramatika"},{"@xml:lang":"en","#text":"symbolism"},{"@xml:lang":"sl","#text":"zgodovinska avantgarda"}],"dcterms:temporal":{"@rdf:resource":"1955-2025"},"dc:title":{"@xml:lang":"sl","#text":"Dogodek v mestu Gogi in model nove drame|"},"dc:description":[{"@xml:lang":"sl","#text":"The essay deals with one of the fundamental dilemmas that Slavko Grum’s plays, especially An Event in the Town of Goga, repeatedly raise, and it is connected with their multi-layered, almost paratactic character. It is precisely because of this characteristic that both literary and theatrical history oscillate between labels such as expressionism, decadence, symbolism, modernism, and so on. It attempts to show how the specifics of this new drama and the new concept of theatre and art in general are revealed precisely through the juxtaposition of An Event in the Town of Goga with the aesthetic revolutions of the historical and partly neo-avant-gardes, as well as of the modernism and neo-modernism of the twentieth century. In this way, when read and compared with contemporaries and successors, the (inter)media map of this highly interesting literary work emerges, which, like the Futurist, Dadaist, Absurdist, Surrealist and Expressionist syntheses, problematised the fundamental thematic preoccupation of the twentieth century: the crisis of the new-modern subject in the world proclaimed by Nietzsche with the absence of God. Grum’s oeuvre was thus, like that of the Expressionists and, at the same time, of Kosovel’s dramatic fragments, Mrak’s Obločnica, and Delak’s The Serpent in the Sky’s Dawn, heterogeneous. The various avant-garde tactics that developed simultaneously in European and American modernist drama and prose of the first half of the twentieth century entered into dialogue and interesting relationships with each other, and it is An Event in the Town of Goga that comes closest to some modernist or avant-garde procedures within Grum’s oeuvre"},{"@xml:lang":"sl","#text":"Razprava se ukvarja z eno temeljnih dilem, ki jih vedno znova sproža dramatika Slavka Gruma, še posebej Dogodek v mestu Gogi, in je povezana z njeno večplastnostjo, skorajda že parataktičnostjo. Prav zaradi te lastnosti tako literarna kot gledališka zgodovina vedno znova nihata med označitvami, kot so ekspresionizem, dekadenca, simbolizem, moderna ... Pokazati poskuša, kako se specifika te nove drame in novega koncepta gledališča ter umetnosti nasploh razkrijejo prav skozi sopostavitev Dogodka v mestu Gogi s pretežno sočasnimi, delno pa tudi predčasnimi ali kasnejšimi estetskimi revolucijami zgodovinskih in delno tudi neoavantgard ter modernizma in neomodernizma dvajsetega stoletja. Na ta način se ob prebiranju in primerjavi s sodobniki in nasledniki izriše (med)mrežni zemljevid tega nadvse zanimivega literarnega dela, ki je podobno kot futuristične, dadaistične, absurdistične, nadrealistične in ekspresionistične sinteze, igre in včasih že antiigre problematiziralo temeljno tematsko preokupacijo dvajsetega stoletja: krizo novodobnega subjekta v z Nietzschejem proklamiranem svetu kot odsotnosti boga. Grumov opus je bil tako, podobno kot tisti ekspresionistov, ob tem pa Kosovelovih dramskih fragmentov in Mrakove Obločnice ter Delakove Kače na nebesnem svodu heterogen. Različne avantgardne taktike, ki so se predčasno, sočasno ali kasneje razvile v evropski in ameriški modernistični dramatiki in prozi prve polovice dvajsetega stoletja, so med seboj stopale v dialog in zanimiva razmerja. Pri tem se znotraj Grumovega opusa najbolj približa nekaterim modernističnim ali avantgardnim postopkom prav Dogodek v mestu Gogi"}],"edm:type":"TEXT","dc:type":[{"@xml:lang":"sl","#text":"znanstveno časopisje"},{"@xml:lang":"en","#text":"journals"},{"@rdf:resource":"http://www.wikidata.org/entity/Q361785"}]},"ore:Aggregation":{"@rdf:about":"http://www.dlib.si/?URN=URN:NBN:SI:doc-N5XLHACT","edm:aggregatedCHO":{"@rdf:resource":"URN:NBN:SI:doc-N5XLHACT"},"edm:isShownBy":{"@rdf:resource":"http://www.dlib.si/stream/URN:NBN:SI:doc-N5XLHACT/53a5c0a8-9d48-4e46-a086-8cc1b1f95a26/PDF"},"edm:rights":{"@rdf:resource":"http://creativecommons.org/licenses/by-sa/4.0/"},"edm:provider":"Slovenian National E-content Aggregator","edm:intermediateProvider":{"@xml:lang":"en","#text":"National and University Library of Slovenia"},"edm:dataProvider":{"@xml:lang":"sl","#text":"Slavistično društvo Slovenije"},"edm:object":{"@rdf:resource":"http://www.dlib.si/streamdb/URN:NBN:SI:doc-N5XLHACT/maxi/edm"},"edm:isShownAt":{"@rdf:resource":"http://www.dlib.si/details/URN:NBN:SI:doc-N5XLHACT"}}}}