1593 KB57 KB0 KB196520252018Šter, Katarinaštevilka:1letnik:54str. 31-48ISSN:0580-373XCOBISSID:67170402URN:URN:NBN:SI:doc-NA7ZYI9MslZnanstvena založba Filozofske fakulteteMuzikološki zbornikLajovic, Antonsamospevslovenska glasbaslovenska poezijaslovenski skladateljiSveta gora pri Goricisvetovna vojna 1914-1918Župančič, OtonKdo je Begunka pri zibeli?| nekaj misli ob Lajovčevem samospevu| some thoughts about the song by Anton Lajovic| Who is The Refugee by the Cradle?|The present article opens some new questions about Begunka pri zibeli The Refugee by the Cradle, one of Anton Lajovic's best and most expressive songs for voice and piano, which was also connected with the historical events by the Soča/Isonzo front in the First World War. Special attention is given to the original literary text by Oton Župančič. His allusions to the painting of the Virgin Mary from the place of pilgrimage Sveta gora near Gorica/Gorizia, which also shared the refugee's fate, could bring new insights into the identity of the "refugee by the cradle"Razprava odpira nekatera nova vprašanja o Begunki pri zibeli, enem najboljših in najbolj znanih samospevov Antona Lajovca, ter o njegovi povezavi z zgodovinskim dogajanjem med prvo svetovno vojno. Pri tem se še posebej opira na besedilo Otona Župančiča in na njegove pesemske aluzije na milostno podobo Marije s Svete gore pri Gorici, ki je bila prav tako deležna usode beguncevTEXTznanstveno časopisjejournalsSlovenian National E-content AggregatorNational and University Library of SloveniaUniverza v Ljubljani, Filozofska fakulteta