<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-NZKPRPXO</identifier><date>2022</date><creator>De Paiva Santana, Charles</creator><creator>Guigue, Didier</creator><relation>documents/doc/N/URN_NBN_SI_doc-NZKPRPXO_001.pdf</relation><relation>documents/doc/N/URN_NBN_SI_doc-NZKPRPXO_001.txt</relation><format format_type="issue">2</format><format format_type="volume">58</format><format format_type="type">article</format><format format_type="extent">str. 121-153</format><identifier identifier_type="ISSN">0580-373X</identifier><identifier identifier_type="DOI">10.4312/mz.58.2.121-153</identifier><identifier identifier_type="COBISSID">181897731</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-NZKPRPXO</identifier><language>eng</language><publisher>Založba Univerze v Ljubljani</publisher><source>Muzikološki zbornik</source><rights>BY-SA</rights><subject language_type_id="slv">glasbena oblika</subject><subject language_type_id="slv">glasbene analize</subject><subject language_type_id="slv">metode</subject><subject language_type_id="slv">orkestracija</subject><subject language_type_id="slv">računalniška muzikologija</subject><subject language_type_id="slv">računalniške analize</subject><title>The role of orchestration in shaping musical form</title><title>theory and practice of a methodological proposal and its computational implementation</title></Record>