<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-O7WUTE1E</identifier><date>2002</date><creator>Lafargue, Bernard</creator><relation>documents/doc/O/URN_NBN_SI_doc-O7WUTE1E_001.pdf</relation><relation>documents/doc/O/URN_NBN_SI_doc-O7WUTE1E_001.txt</relation><format format_type="issue">2</format><format format_type="volume">23</format><format format_type="type">article</format><format format_type="extent">str. 233-254</format><identifier identifier_type="ISSN">0353-4510</identifier><identifier identifier_type="COBISSID">19507757</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-O7WUTE1E</identifier><language>fre</language><publisher>Filozofski inštitut ZRC SAZU</publisher><source>Filozofski vestnik</source><rights>BY-NC-ND</rights><subject language_type_id="slv">20.st.</subject><subject language_type_id="eng">art</subject><subject language_type_id="slv">filozofija umetnosti</subject><subject language_type_id="slv">umetniški projekti</subject><subject language_type_id="slv">umetnost</subject><title>L 'invention de l'homme transgénique et transgenre dans l'art de la fin du XXe siecle</title></Record>