{"?xml":{"@version":"1.0"},"edm:RDF":{"@xmlns:dc":"http://purl.org/dc/elements/1.1/","@xmlns:edm":"http://www.europeana.eu/schemas/edm/","@xmlns:wgs84_pos":"http://www.w3.org/2003/01/geo/wgs84_pos","@xmlns:foaf":"http://xmlns.com/foaf/0.1/","@xmlns:rdaGr2":"http://rdvocab.info/ElementsGr2","@xmlns:oai":"http://www.openarchives.org/OAI/2.0/","@xmlns:owl":"http://www.w3.org/2002/07/owl#","@xmlns:rdf":"http://www.w3.org/1999/02/22-rdf-syntax-ns#","@xmlns:ore":"http://www.openarchives.org/ore/terms/","@xmlns:skos":"http://www.w3.org/2004/02/skos/core#","@xmlns:dcterms":"http://purl.org/dc/terms/","edm:WebResource":[{"@rdf:about":"http://www.dlib.si/stream/URN:NBN:SI:doc-OFR5HOMV/4871c25c-e6c6-426f-8a3d-8b8ccc608a69/PDF","dcterms:extent":"153 KB"},{"@rdf:about":"http://www.dlib.si/stream/URN:NBN:SI:doc-OFR5HOMV/56449445-43ad-41d7-8710-b5d078a99054/TEXT","dcterms:extent":"45 KB"}],"edm:TimeSpan":{"@rdf:about":"1965-2025","edm:begin":{"@xml:lang":"en","#text":"1965"},"edm:end":{"@xml:lang":"en","#text":"2025"}},"edm:ProvidedCHO":{"@rdf:about":"URN:NBN:SI:doc-OFR5HOMV","dcterms:isPartOf":[{"@rdf:resource":"https://www.dlib.si/details/URN:NBN:SI:spr-TGP90WRZ"},{"@xml:lang":"sl","#text":"Muzikološki zbornik"}],"dcterms:issued":"2011","dc:creator":"Ortgies, Ibo","dc:format":[{"@xml:lang":"sl","#text":"številka:2"},{"@xml:lang":"sl","#text":"letnik:47"},{"@xml:lang":"sl","#text":"str. 139-152"}],"dc:identifier":["ISSN:0580-373X","COBISSID:47568482","URN:URN:NBN:SI:doc-OFR5HOMV"],"dc:language":"de","dc:publisher":{"@xml:lang":"sl","#text":"Znanstvena založba Filozofske fakultete"},"dc:subject":[{"@xml:lang":"sl","#text":"ansambelska igra"},{"@xml:lang":"en","#text":"ensemble playing"},{"@xml:lang":"en","#text":"historical performance practice"},{"@xml:lang":"en","#text":"improvisation"},{"@xml:lang":"sl","#text":"improvizacija"},{"@xml:lang":"en","#text":"organ repertoire"},{"@xml:lang":"sl","#text":"orgelski repertoar"},{"@xml:lang":"en","#text":"temperament"},{"@xml:lang":"sl","#text":"uglasitev"},{"@xml:lang":"sl","#text":"zgodovinska izvajalska praksa"}],"dcterms:temporal":{"@rdf:resource":"1965-2025"},"dc:title":{"@xml:lang":"sl","#text":"Zur Problematik von Zusammenhang und Disparität zwischen Orgelrepertoire, Improvisation und Ensemble-Intonation| K vprašanju povezanosti in neskladja med orgelskim repertoarjem, improvizacijo in ansambelsko igro|"},"dc:description":[{"@xml:lang":"sl","#text":"The relation of organ temperament to almost all areas of musical practice in Northern and Central Germany in the seventeenth and eighteenth centuries makes it an indispensable factor in historical performance practice. The issue of organ temperament has either been viewed as part of the general historical development of temperament theory, or has been viewed from the alleged connection with compositions that were considered to be 'organ repertoire', but this has often been seen from a later liturgical or organ concert practice. The relationship between ensemble intonation and organ temperament has been underestimated in modern times and has therefore hardly ever been considered. It seems that the present attitudes and customs within performance practice have in part been obstacles to understanding the relationships among organ playing, compositions, organ temperament and performance practice in Northern and Central Germany in the seventeenth and eighteenth centuries. This article tries to remove some of those obstacles"},{"@xml:lang":"sl","#text":"Odnos med orgelsko uglasitvijo in skoraj vsemi drugimi področji glasbene prakse v Severni in Centralni Nemčiji 17. in 18. stoletja predstavlja ključni dejavnik zgodovinske izvajalne prakse. Vprašanje orgelske uglasitve se je obravnavalo ali kot del splošnega zgodovinskega razvoja teorije uglaševanja ali na podlagi domnevne povezanosti s skladbami t. i. \"orgelskega repertoarja\", na katerega se je pogosto gledalo z vidika kasnejše liturgične in orgelske koncertantne prakse. Odnosa med ansambelsko igro in orgelsko uglasitvijo se v modernih časih ni dovolj ali sploh kaj upoštevalo. Zdi se, da so mnenja glede izvajalne prakse in navade znotraj slednje predstavljale in še vedno predstavljajo delno oviro pri razumevanju odnosov med orgelsko igro, skladbami, orgelsko uglasitvijo in izvajalno prakso v Severni in Centralni Nemčiji 17. in 18. stoletja. Članek skuša odstraniti nekatere teh ovir"}],"edm:type":"TEXT","dc:type":[{"@xml:lang":"sl","#text":"znanstveno časopisje"},{"@xml:lang":"en","#text":"journals"},{"@rdf:resource":"http://www.wikidata.org/entity/Q361785"}]},"ore:Aggregation":{"@rdf:about":"http://www.dlib.si/?URN=URN:NBN:SI:doc-OFR5HOMV","edm:aggregatedCHO":{"@rdf:resource":"URN:NBN:SI:doc-OFR5HOMV"},"edm:isShownBy":{"@rdf:resource":"http://www.dlib.si/stream/URN:NBN:SI:doc-OFR5HOMV/4871c25c-e6c6-426f-8a3d-8b8ccc608a69/PDF"},"edm:rights":{"@rdf:resource":"http://creativecommons.org/licenses/by-sa/4.0/"},"edm:provider":"Slovenian National E-content Aggregator","edm:intermediateProvider":{"@xml:lang":"en","#text":"National and University Library of Slovenia"},"edm:dataProvider":{"@xml:lang":"sl","#text":"Univerza v Ljubljani, Filozofska fakulteta"},"edm:object":{"@rdf:resource":"http://www.dlib.si/streamdb/URN:NBN:SI:doc-OFR5HOMV/maxi/edm"},"edm:isShownAt":{"@rdf:resource":"http://www.dlib.si/details/URN:NBN:SI:doc-OFR5HOMV"}}}}