32 KB61 KB31 KB195520252005Žbogar, Alenkaštevilka:3/4letnik:50str. 17-26ISSN:0021-6933URN:URN:NBN:SI:doc-OGC2M1YJslSlavistično društvo SlovenijeJezik in slovstvo1980/2000kratka prozaliterarne študijeSlovene literatureslovenska književnostKratka proza na prelomu tisočletja|A review of Slovene short stories and short novels written in the last two decades of the twentieth century illustrates that the eighties are more prominently marked by production of short stories rather than short novels, while quite the opposite holds true of the nineties, when short novels seem to predominate. A comparison between the narration of the so-called great themes by Andrej Blatnik and Drago Jančar reveals that the new and the young Slovene prose works differ in their conceptualisation, although both generations frequently portray the (superficial) interpersonal relationship in the urban milieu, and both also employ lyrical aspects and intimism. Fantasy elements are traditional for the older generation, and re-interpretative for the younger writers. New Slovene prose also employs folk motifs with fairytale elements; typical especially of young Slovene prose is a significant shift to meta-fictionPregled slovenskih kratkih zgodb in novel zadnjih dveh desetletij 20. stoletij kaže, da osemdeseta leta bolj kot novele zaznamujejo kratke zgodbe, obratno je v devetdesetih. Primerjava Blatnikovega in Jančarjevega upovedovanja t. i. velikih tem da sklepati, da se nova in mlada slovenska proza ločita po idejni naravnanosti, čeprav obe generaciji pogosto tematizirata (površinske) medosebne odnose v urbanem okolju, pri obeh se pojavljata lirizacija in intimizem. Elementi fantastike so pri starejših tradicionalni, pri mlajših reinterpretirani. Nova slovenska proza posega po ljudski motiviki s pravljičnimi elementi, zlasti pri mladi je zaznaven premik k metafikcijskostiTEXTznanstveno časopisjejournalsSlovenian National E-content AggregatorNational and University Library of SloveniaSlavistično društvo Slovenije