{"?xml":{"@version":"1.0"},"edm:RDF":{"@xmlns:dc":"http://purl.org/dc/elements/1.1/","@xmlns:edm":"http://www.europeana.eu/schemas/edm/","@xmlns:wgs84_pos":"http://www.w3.org/2003/01/geo/wgs84_pos","@xmlns:foaf":"http://xmlns.com/foaf/0.1/","@xmlns:rdaGr2":"http://rdvocab.info/ElementsGr2","@xmlns:oai":"http://www.openarchives.org/OAI/2.0/","@xmlns:owl":"http://www.w3.org/2002/07/owl#","@xmlns:rdf":"http://www.w3.org/1999/02/22-rdf-syntax-ns#","@xmlns:ore":"http://www.openarchives.org/ore/terms/","@xmlns:skos":"http://www.w3.org/2004/02/skos/core#","@xmlns:dcterms":"http://purl.org/dc/terms/","edm:WebResource":[{"@rdf:about":"http://www.dlib.si/stream/URN:NBN:SI:doc-P6JNQBRI/efb57026-0895-4789-958c-21222ab26533/PDF","dcterms:extent":"178 KB"},{"@rdf:about":"http://www.dlib.si/stream/URN:NBN:SI:doc-P6JNQBRI/b5256b10-8f42-475e-a6ba-0583d2991931/TEXT","dcterms:extent":"0 KB"}],"edm:TimeSpan":{"@rdf:about":"2013-2025","edm:begin":{"@xml:lang":"en","#text":"2013"},"edm:end":{"@xml:lang":"en","#text":"2025"}},"edm:ProvidedCHO":{"@rdf:about":"URN:NBN:SI:doc-P6JNQBRI","dcterms:isPartOf":[{"@rdf:resource":"https://www.dlib.si/details/URN:NBN:SI:spr-UTGPB0XA"},{"@xml:lang":"sl","#text":"Edinost in dialog"}],"dcterms:issued":"2025","dc:creator":"Oblonšek, Cecilija","dc:format":[{"@xml:lang":"sl","#text":"številka:2"},{"@xml:lang":"sl","#text":"letnik:80"},{"@xml:lang":"sl","#text":"str. 129-148"}],"dc:identifier":["DOI:10.34291/Edinost/80/02/Oblonsek","ISSN:2335-4127","COBISSID_HOST:262115843","URN:URN:NBN:SI:doc-P6JNQBRI"],"dc:language":"sl","dc:publisher":{"@xml:lang":"sl","#text":"Inštitut Stanka Janežiča za dogmatično, osnovno in ekumensko teologijo ter religiologijo in dialog, Teološka fakulteta Univerze v Ljubljani"},"dc:subject":[{"@xml:lang":"sl","#text":"birma"},{"@xml:lang":"en","#text":"choral singing"},{"@xml:lang":"en","#text":"confirmation"},{"@xml:lang":"en","#text":"inculturation"},{"@xml:lang":"sl","#text":"inkulturacija"},{"@xml:lang":"sl","#text":"koralni spevi"},{"@xml:lang":"en","#text":"liturgical music"},{"@xml:lang":"sl","#text":"liturgična glasba"},{"@xml:lang":"en","#text":"sacraments"},{"@xml:lang":"sl","#text":"zakramenti"}],"dcterms:temporal":{"@rdf:resource":"2013-2025"},"dc:title":{"@xml:lang":"sl","#text":"Obhajanje zakramenta svete birme in njeni teološki ter liturgično-glasbeni vidiki| The celebration of the sacrament of confirmation and its theological and liturgical-musical aspects|"},"dc:description":[{"@xml:lang":"sl","#text":"This article posits that due to specific emphases in our pastoral practice in the context of the sacrament of confirmation, the theology of this sacrament is characterised by a certain uncertainty, which engenders a blurred understanding of the logic of receiving the sacraments of initiation. The Eucharist should be the culmination and goal of the »initiation« period, while Confirmation is one of the sacraments of initiation and not a sacrament of service, as it is subconsciously perceived in our environment. In this awareness, the primary consideration has been the celebration of the sacrament of confirmation within the Mass, which has the capacity to either affirm or diminish the significance of the sacrament in our pastoral practice. The role of liturgical music in a ceremonial context is twofold: firstly, it contributes to the solemnity of the event, and secondly, it provides an opportunity to present the key emphases of the Holy Spirit's work to the confirmands through the medium of sung liturgy. In addition, it serves to introduce them to the precious musical treasures of the universal Church, and to enable them to enter adult faith"},{"@xml:lang":"sl","#text":"V prispevku ugotavljamo, da zaradi nekaterih poudarkov naše pastoralne prakse v okviru podeljevanja zakramenta birme teologijo tega zakramenta zaznamuje določena negotovost, zaradi česar prihaja do zamegljenega razumevanja logike prejema zakramentov uvajanja, v okviru katerega bi morala biti evharistija tista, ki je vrhunec in cilj »uvajalne« dobe, birma pa je eden od zakramentov uvajanja, in ne zakrament služenja, kot se v našem okolju podzavestno dojema. V okviru tega zavedanja smo vzeli v ozir predvsem sámo obhajanje zakramenta birme znotraj maše, ki lahko v naši pastoralni praksi bodisi potrdi bodisi razvrednoti poudarke zakramenta. Liturgična glasba znotraj obreda lahko pripomore k slovesnosti obreda, hkrati pa je priložnost, da preko péte liturgije birmancem predočimo ključne poudarke delovanja Svetega Duha, jih soočimo z dragocenimi glasbenimi zakladi vesoljne Cerkve in jim omogočimo, da vstopajo v odraslo vero"}],"edm:type":"TEXT","dc:type":[{"@xml:lang":"sl","#text":"znanstveno časopisje"},{"@xml:lang":"en","#text":"journals"},{"@rdf:resource":"http://www.wikidata.org/entity/Q361785"}]},"ore:Aggregation":{"@rdf:about":"http://www.dlib.si/?URN=URN:NBN:SI:doc-P6JNQBRI","edm:aggregatedCHO":{"@rdf:resource":"URN:NBN:SI:doc-P6JNQBRI"},"edm:isShownBy":{"@rdf:resource":"http://www.dlib.si/stream/URN:NBN:SI:doc-P6JNQBRI/efb57026-0895-4789-958c-21222ab26533/PDF"},"edm:rights":{"@rdf:resource":"http://creativecommons.org/licenses/by/4.0/"},"edm:provider":"Slovenian National E-content Aggregator","edm:intermediateProvider":{"@xml:lang":"en","#text":"National and University Library of Slovenia"},"edm:dataProvider":{"@xml:lang":"sl","#text":"Univerza v Ljubljani, Teološka fakulteta"},"edm:object":{"@rdf:resource":"http://www.dlib.si/streamdb/URN:NBN:SI:doc-P6JNQBRI/maxi/edm"},"edm:isShownAt":{"@rdf:resource":"http://www.dlib.si/details/URN:NBN:SI:doc-P6JNQBRI"}}}}