<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-PXRSKDSO</identifier><date>2014</date><creator>Winter, Rainer</creator><relation>documents/doc/P/URN_NBN_SI_doc-PXRSKDSO_001.pdf</relation><relation>documents/doc/P/URN_NBN_SI_doc-PXRSKDSO_001.txt</relation><format format_type="issue">2</format><format format_type="volume">35</format><format format_type="type">article</format><format format_type="extent">str. 239-254, 338-339</format><identifier identifier_type="ISSN">0353-4510</identifier><identifier identifier_type="COBISSID">37944877</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-PXRSKDSO</identifier><language>eng</language><publisher>Filozofski inštitut ZRC SAZU</publisher><source>Filozofski vestnik</source><rights>BY-NC-ND</rights><subject language_type_id="slv">Antonioni, Michelangelo, 1912-2007</subject><subject language_type_id="slv">filmska estetika</subject><subject language_type_id="slv">filmski režiserji</subject><subject language_type_id="slv">italijanski film</subject><title>an analysis following Jacques Ranciere</title><title>The politics of aesthetics in the work of Michelangelo Antonioni</title></Record>