<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-PZ4W0C5K</identifier><date>1991</date><creator>Harrison, Charles</creator><relation>documents/doc/P/URN_NBN_SI_doc-PZ4W0C5K_001.pdf</relation><relation>documents/doc/P/URN_NBN_SI_doc-PZ4W0C5K_001.txt</relation><format format_type="issue">1</format><format format_type="volume">12</format><format format_type="type">article</format><format format_type="extent">str. 49-60</format><identifier identifier_type="ISSN">0353-4510</identifier><identifier identifier_type="COBISSID">405293</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-PZ4W0C5K</identifier><language>eng</language><publisher>Filozofski inštitut ZRC SAZU</publisher><source>Filozofski vestnik</source><rights>BY-NC-ND</rights><subject language_type_id="slv">20.st.</subject><subject language_type_id="eng">art of painting</subject><subject language_type_id="slv">filozofija</subject><subject language_type_id="eng">philosophy</subject><subject language_type_id="slv">slikarstvo</subject><subject language_type_id="slv">teorija umetnosti</subject><title>"Form" and "finish" in modern painting</title></Record>