<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-Q0VTM3CJ</identifier><date>2025</date><creator>Flores Baltazar, Ângela</creator><creator>Neiva, Luís</creator><relation>documents/doc/Q/URN_NBN_SI_doc-Q0VTM3CJ_001.pdf</relation><relation>documents/doc/Q/URN_NBN_SI_doc-Q0VTM3CJ_001.txt</relation><format format_type="issue">2</format><format format_type="volume">21</format><format format_type="type">article</format><format format_type="extent">str. 1-17</format><identifier identifier_type="DOI">10.3986/dmd21.2.03</identifier><identifier identifier_type="ISSN">1854-3405</identifier><identifier identifier_type="COBISSID_HOST">268486915</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-Q0VTM3CJ</identifier><language>eng</language><publisher publisher_location="Ljubljana">Muzikološki inštitut ZRC SAZU</publisher><source>De musica disserenda</source><rights>BY-SA</rights><subject language_type_id="eng">cultural democratization</subject><subject language_type_id="eng">Early Music</subject><subject language_type_id="slv">glasbeni festivali</subject><subject language_type_id="slv">kulturna demokratizacija</subject><subject language_type_id="eng">modernity</subject><subject language_type_id="eng">music festival</subject><subject language_type_id="slv">sodobnost</subject><subject language_type_id="slv">stara glasba</subject><title>From "Scribe to Stage" to "Stage to Scribe"</title><title>bringing Early Music to its audience</title></Record>