<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-QBMDHT8G</identifier><date>2015</date><creator>Eikelboom, Lexi</creator><relation>documents/doc/Q/URN_NBN_SI_doc-QBMDHT8G_001.pdf</relation><relation>documents/doc/Q/URN_NBN_SI_doc-QBMDHT8G_001.txt</relation><format format_type="issue">1</format><format format_type="volume">38</format><format format_type="type">article</format><format format_type="extent">str. 209-220, 237</format><identifier identifier_type="ISSN">0351-1189</identifier><identifier identifier_type="COBISSID">57822050</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-QBMDHT8G</identifier><language>eng</language><publisher>Slovensko društvo za primerjalno književnost</publisher><source>Primerjalna književnost</source><rights>InC</rights><subject language_type_id="eng">aesthetics</subject><subject language_type_id="slv">Agamben, Giorgio, 1942-</subject><subject language_type_id="slv">estetika</subject><subject language_type_id="slv">filozofija umetnosti</subject><subject language_type_id="slv">Heidegger, Martin, 1724-1804</subject><subject language_type_id="slv">književnost in politika</subject><title>Martin Heidegger and Giorgio Agamben on the origin of art</title><title>Strife or rhythm?</title></Record>