<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-QGDDEC81</identifier><date>2014</date><creator>Reissig, Elfride</creator><relation>documents/doc/Q/URN_NBN_SI_doc-QGDDEC81_001.pdf</relation><relation>documents/doc/Q/URN_NBN_SI_doc-QGDDEC81_001.txt</relation><format format_type="issue">2</format><format format_type="volume">50</format><format format_type="type">article</format><format format_type="extent">str. 53-62</format><identifier identifier_type="ISSN">0580-373X</identifier><identifier identifier_type="COBISSID">56546402</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-QGDDEC81</identifier><language>ger</language><publisher>Znanstvena založba Filozofske fakultete</publisher><source>Muzikološki zbornik</source><rights>BY-SA</rights><subject language_type_id="slv">improvizacija</subject><subject language_type_id="slv">italijanski skladatelji</subject><subject language_type_id="slv">percepcija</subject><subject language_type_id="slv">Scelsi, Giacinto, 1905-1988</subject><subject language_type_id="slv">vzhodna filozofija</subject><subject language_type_id="slv">zvok</subject><title>"Die Dinge stets sich selbst folgen lassen"</title><title>"Pustiti, da stvari sledijo same sebi"</title><title>Klang und Perzeption bei Giacinto Scelsi</title><title>zvok in percepcija pri Giacintu Scelsiju</title></Record>