<?xml version="1.0"?><rdf:RDF xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:edm="http://www.europeana.eu/schemas/edm/" xmlns:wgs84_pos="http://www.w3.org/2003/01/geo/wgs84_pos" xmlns:foaf="http://xmlns.com/foaf/0.1/" xmlns:rdaGr2="http://rdvocab.info/ElementsGr2" xmlns:oai="http://www.openarchives.org/OAI/2.0/" xmlns:owl="http://www.w3.org/2002/07/owl#" xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:ore="http://www.openarchives.org/ore/terms/" xmlns:skos="http://www.w3.org/2004/02/skos/core#" xmlns:dcterms="http://purl.org/dc/terms/"><edm:WebResource rdf:about="http://www.dlib.si/stream/URN:NBN:SI:doc-QGDDEC81/789a03ea-4a87-43bc-981c-9856d59c4337/PDF"><dcterms:extent>166 KB</dcterms:extent></edm:WebResource><edm:WebResource rdf:about="http://www.dlib.si/stream/URN:NBN:SI:doc-QGDDEC81/356a9371-3ae6-4f19-a4eb-ded7ae8381ef/TEXT"><dcterms:extent>33 KB</dcterms:extent></edm:WebResource><edm:TimeSpan rdf:about="1965-2025"><edm:begin xml:lang="en">1965</edm:begin><edm:end xml:lang="en">2025</edm:end></edm:TimeSpan><edm:ProvidedCHO rdf:about="URN:NBN:SI:doc-QGDDEC81"><dcterms:isPartOf rdf:resource="https://www.dlib.si/details/URN:NBN:SI:spr-TGP90WRZ" /><dcterms:issued>2014</dcterms:issued><dc:contributor>Nagode, Aleš</dc:contributor><dc:creator>Reissig, Elfride</dc:creator><dc:format xml:lang="sl">številka:2</dc:format><dc:format xml:lang="sl">letnik:50</dc:format><dc:format xml:lang="sl">str. 53-62</dc:format><dc:identifier>ISSN:0580-373X</dc:identifier><dc:identifier>COBISSID:56546402</dc:identifier><dc:identifier>URN:URN:NBN:SI:doc-QGDDEC81</dc:identifier><dc:language>de</dc:language><dc:publisher xml:lang="sl">Znanstvena založba Filozofske fakultete</dc:publisher><dcterms:isPartOf xml:lang="sl">Muzikološki zbornik</dcterms:isPartOf><dc:subject xml:lang="sl">improvizacija</dc:subject><dc:subject xml:lang="sl">italijanski skladatelji</dc:subject><dc:subject xml:lang="sl">percepcija</dc:subject><dc:subject xml:lang="sl">Scelsi, Giacinto, 1905-1988</dc:subject><dc:subject xml:lang="sl">vzhodna filozofija</dc:subject><dc:subject xml:lang="sl">zvok</dc:subject><dcterms:temporal rdf:resource="1965-2025" /><dc:title xml:lang="sl">"Die Dinge stets sich selbst folgen lassen"| "Pustiti, da stvari sledijo same sebi"| Klang und Perzeption bei Giacinto Scelsi| zvok in percepcija pri Giacintu Scelsiju|</dc:title><dc:description xml:lang="sl">Music cannot exist without sound, sound can exist without music, therefore sound is more important than music, Giacinto Scelsi's cipher for the cosmos of sound of the single-note, opens a creative space beyond expansion of power and control by improvising and therefore sound itself becomes the mystery</dc:description><dc:description xml:lang="sl">"Glasba ne more obstajati brez zvoka, zvok lahko obstaja brez glasbe, zato je zvok pomembnejši od glasbe." Šifra, s katero je Giacinto Scelsi orisal kozmos zvoka v enem samem tonu, odpira z improvizacijo ustvarjalnosti nov prostor onkraj območja moči in nadzora. Zvok sam s tem postane misterij</dc:description><edm:type>TEXT</edm:type><dc:type xml:lang="sl">znanstveno časopisje</dc:type><dc:type xml:lang="en">journals</dc:type><dc:type rdf:resource="http://www.wikidata.org/entity/Q361785" /></edm:ProvidedCHO><ore:Aggregation rdf:about="http://www.dlib.si/?URN=URN:NBN:SI:doc-QGDDEC81"><edm:aggregatedCHO rdf:resource="URN:NBN:SI:doc-QGDDEC81" /><edm:isShownBy rdf:resource="http://www.dlib.si/stream/URN:NBN:SI:doc-QGDDEC81/789a03ea-4a87-43bc-981c-9856d59c4337/PDF" /><edm:rights rdf:resource="http://creativecommons.org/licenses/by-sa/4.0/" /><edm:provider>Slovenian National E-content Aggregator</edm:provider><edm:intermediateProvider xml:lang="en">National and University Library of Slovenia</edm:intermediateProvider><edm:dataProvider xml:lang="sl">Univerza v Ljubljani, Filozofska fakulteta</edm:dataProvider><edm:object rdf:resource="http://www.dlib.si/streamdb/URN:NBN:SI:doc-QGDDEC81/maxi/edm" /><edm:isShownAt rdf:resource="http://www.dlib.si/details/URN:NBN:SI:doc-QGDDEC81" /></ore:Aggregation></rdf:RDF>