<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-REZGJA6C</identifier><date>2007</date><creator>Barbo, Matjaž</creator><relation>documents/doc/R/URN_NBN_SI_doc-REZGJA6C_001.htm</relation><relation>documents/doc/R/URN_NBN_SI_doc-REZGJA6C_001.pdf</relation><relation>documents/doc/R/URN_NBN_SI_doc-REZGJA6C_001.txt</relation><format format_type="issue">2</format><format format_type="volume">43</format><format format_type="type">article</format><format format_type="extent">str. 59-66</format><identifier identifier_type="ISSN">0580-373X</identifier><identifier identifier_type="COBISSID">36259170</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-REZGJA6C</identifier><language>slv</language><publisher>Filozofska fakulteta, Oddelek za muzikologijo</publisher><source>Muzikološki zbornik</source><rights>BY-SA</rights><subject language_type_id="slv">Dusík, Franz Benedikt, 1766-1816</subject><subject language_type_id="slv">glasba</subject><subject language_type_id="eng">music</subject><subject language_type_id="slv">narodna zavest</subject><subject language_type_id="slv">singspiel</subject><subject language_type_id="slv">slovenska opera</subject><title>The multiple directions of the beginnings of Slovene opera creativity</title><title>Večsmernost začetkov slovenske operne ustvarjalnosti</title></Record>