<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-RSL9QBWS</identifier><date>1999</date><creator>Bergamo, Marija</creator><relation>documents/doc/R/URN_NBN_SI_doc-RSL9QBWS_001.pdf</relation><relation>documents/doc/R/URN_NBN_SI_doc-RSL9QBWS_001.txt</relation><format format_type="issue">2</format><format format_type="volume">20</format><format format_type="type">article</format><format format_type="extent">str. 277-285</format><identifier identifier_type="ISSN">0353-4510</identifier><identifier identifier_type="COBISSID">11631917</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-RSL9QBWS</identifier><language>ger</language><publisher>Filozofski inštitut ZRC SAZU</publisher><source>Filozofski vestnik</source><rights>BY-NC-ND</rights><subject language_type_id="slv">filozofija glasbe</subject><subject language_type_id="slv">glasba</subject><subject language_type_id="slv">glasbena estetika</subject><subject language_type_id="eng">music</subject><title>Musik als Gestalt der begrifflosen Erkenntnis</title></Record>