<?xml version="1.0"?><rdf:RDF xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:edm="http://www.europeana.eu/schemas/edm/" xmlns:wgs84_pos="http://www.w3.org/2003/01/geo/wgs84_pos" xmlns:foaf="http://xmlns.com/foaf/0.1/" xmlns:rdaGr2="http://rdvocab.info/ElementsGr2" xmlns:oai="http://www.openarchives.org/OAI/2.0/" xmlns:owl="http://www.w3.org/2002/07/owl#" xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:ore="http://www.openarchives.org/ore/terms/" xmlns:skos="http://www.w3.org/2004/02/skos/core#" xmlns:dcterms="http://purl.org/dc/terms/"><edm:WebResource rdf:about="http://www.dlib.si/stream/URN:NBN:SI:doc-SDTYZV5M/3c334897-65e7-4385-825d-c3b7a759fa2a/PDF"><dcterms:extent>364 KB</dcterms:extent></edm:WebResource><edm:WebResource rdf:about="http://www.dlib.si/stream/URN:NBN:SI:doc-SDTYZV5M/d0020b6a-26f4-41e4-bd8f-e0f66a38511b/TEXT"><dcterms:extent>37 KB</dcterms:extent></edm:WebResource><edm:TimeSpan rdf:about="1955-2025"><edm:begin xml:lang="en">1955</edm:begin><edm:end xml:lang="en">2025</edm:end></edm:TimeSpan><edm:ProvidedCHO rdf:about="URN:NBN:SI:doc-SDTYZV5M"><dcterms:isPartOf rdf:resource="https://www.dlib.si/details/URN:NBN:SI:spr-2SDQL3ET" /><dcterms:issued>2014</dcterms:issued><dc:creator>Kusterle, Jernej</dc:creator><dc:format xml:lang="sl">številka:4</dc:format><dc:format xml:lang="sl">letnik:59</dc:format><dc:format xml:lang="sl">str. 97-110, 132-133</dc:format><dc:identifier>ISSN:0021-6933</dc:identifier><dc:identifier>COBISSID:56403810</dc:identifier><dc:identifier>URN:URN:NBN:SI:doc-SDTYZV5M</dc:identifier><dc:language>sl</dc:language><dc:publisher xml:lang="sl">Slavistično društvo Slovenije</dc:publisher><dcterms:isPartOf xml:lang="sl">Jezik in slovstvo</dcterms:isPartOf><dc:subject xml:lang="sl">hip-hop</dc:subject><dc:subject xml:lang="sl">literarna veda</dc:subject><dc:subject xml:lang="sl">literarne študije</dc:subject><dc:subject xml:lang="en">literary science</dc:subject><dc:subject xml:lang="sl">rap</dc:subject><dc:subject xml:lang="en">rapping</dc:subject><dc:subject xml:lang="en">Slovene literature</dc:subject><dc:subject xml:lang="sl">slovenska književnost</dc:subject><dc:subject xml:lang="sl">tipološki pregledi</dc:subject><dc:subject xml:lang="sl">ulična poezija</dc:subject><dc:subject rdf:resource="http://www.wikidata.org/entity/Q6010" /><dcterms:temporal rdf:resource="1955-2025" /><dc:title xml:lang="sl">Zgodovinski in tipološki pregled ulične poezije|</dc:title><dc:description xml:lang="sl">The original homeland of rap music is Africa, where rhythms similar to the rhythms of rap existed in the folk music of individual tribes. As late as in the 20th century, this interesting form of word-voice-music art came into being in the streets of America, and through time came to be known as "street poetry". As with everything else, street poetry reached Slovenia with a delay of several years. The 1990s were a crucial period, with important developments taking place in both American and Slovenian street poetry, while the turn of the millennium saw a rapid growth in the production of rap music, bringing new possibilities of expression. In the twenty year since the release of Ali-En's cult album Leva scena, we have been at a point where street poetry needs to be systematically defined and included in the system of literary science. The present article represents an introductory classification of street poetry</dc:description><dc:description xml:lang="sl">Pradomovina rap glasbe je v Afriki, kjer so ritmi, podobni ritmom rapa, obstajali znotraj ljudske glasbe posameznih plemen. Šele v drugi polovici 20. stoletja se je na ameriških ulicah oblikovala ta zanimiva oblika besedno-glasovno-glasbene umetnosti, ki se jo je skozi čas oprijel termin street poetry oziroma ulična poezija. Tako kot vse drugo je tudi ulična poezija prišla k nam z nekajletno zamudo. Prelomna so bila devetdeseta leta prejšnjega stoletja, ko je prišlo do pomembnih dogodkov tako v ameriški kot tudi v slovenski ulični poeziji. Milenij je prinesel nove izrazne možnosti, hkrati pa se je v času po prelomu tisočletja povečala produkcija rap glasbe. Po dvajsetih letih, kolikor jih je minilo od izida kultnega albuma Ali-Ena Leva scena, smo se znašli na točki, ko je potrebno ulično poezijo sistematično opredeliti in jo vključiti v sistem literarne vede. Pričujoči članek predstavlja uvod v klasifikacijo ulične poezije</dc:description><edm:type>TEXT</edm:type><dc:type xml:lang="sl">znanstveno časopisje</dc:type><dc:type xml:lang="en">journals</dc:type><dc:type rdf:resource="http://www.wikidata.org/entity/Q361785" /></edm:ProvidedCHO><ore:Aggregation rdf:about="http://www.dlib.si/?URN=URN:NBN:SI:doc-SDTYZV5M"><edm:aggregatedCHO rdf:resource="URN:NBN:SI:doc-SDTYZV5M" /><edm:isShownBy rdf:resource="http://www.dlib.si/stream/URN:NBN:SI:doc-SDTYZV5M/3c334897-65e7-4385-825d-c3b7a759fa2a/PDF" /><edm:rights rdf:resource="http://rightsstatements.org/vocab/InC/1.0/" /><edm:provider>Slovenian National E-content Aggregator</edm:provider><edm:intermediateProvider xml:lang="en">National and University Library of Slovenia</edm:intermediateProvider><edm:dataProvider xml:lang="sl">Slavistično društvo Slovenije</edm:dataProvider><edm:object rdf:resource="http://www.dlib.si/streamdb/URN:NBN:SI:doc-SDTYZV5M/maxi/edm" /><edm:isShownAt rdf:resource="http://www.dlib.si/details/URN:NBN:SI:doc-SDTYZV5M" /></ore:Aggregation></rdf:RDF>