<?xml version="1.0"?><rdf:RDF xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:edm="http://www.europeana.eu/schemas/edm/" xmlns:wgs84_pos="http://www.w3.org/2003/01/geo/wgs84_pos" xmlns:foaf="http://xmlns.com/foaf/0.1/" xmlns:rdaGr2="http://rdvocab.info/ElementsGr2" xmlns:oai="http://www.openarchives.org/OAI/2.0/" xmlns:owl="http://www.w3.org/2002/07/owl#" xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:ore="http://www.openarchives.org/ore/terms/" xmlns:skos="http://www.w3.org/2004/02/skos/core#" xmlns:dcterms="http://purl.org/dc/terms/"><edm:WebResource rdf:about="http://www.dlib.si/stream/URN:NBN:SI:doc-SO1RHVM4/d944cae8-ca1d-4729-96b7-78da9f93b965/HTML"><dcterms:extent>38 KB</dcterms:extent></edm:WebResource><edm:WebResource rdf:about="http://www.dlib.si/stream/URN:NBN:SI:doc-SO1RHVM4/7b3a329b-7805-4436-9c2a-7415de5ac566/PDF"><dcterms:extent>456 KB</dcterms:extent></edm:WebResource><edm:WebResource rdf:about="http://www.dlib.si/stream/URN:NBN:SI:doc-SO1RHVM4/c060ea7d-2537-4265-a606-45dae3b7bcfa/TEXT"><dcterms:extent>34 KB</dcterms:extent></edm:WebResource><edm:TimeSpan rdf:about="1965-2025"><edm:begin xml:lang="en">1965</edm:begin><edm:end xml:lang="en">2025</edm:end></edm:TimeSpan><edm:ProvidedCHO rdf:about="URN:NBN:SI:doc-SO1RHVM4"><dcterms:isPartOf rdf:resource="https://www.dlib.si/details/URN:NBN:SI:spr-TGP90WRZ" /><dcterms:issued>2007</dcterms:issued><dc:creator>Bujić, Bojan</dc:creator><dc:format xml:lang="sl">številka:2</dc:format><dc:format xml:lang="sl">letnik:43</dc:format><dc:format xml:lang="sl">str. 29-40</dc:format><dc:identifier>ISSN:0580-373X</dc:identifier><dc:identifier>COBISSID:36303202</dc:identifier><dc:identifier>URN:URN:NBN:SI:doc-SO1RHVM4</dc:identifier><dc:language>hr</dc:language><dc:publisher xml:lang="sl">Filozofska fakulteta, Oddelek za muzikologijo</dc:publisher><dcterms:isPartOf xml:lang="sl">Muzikološki zbornik</dcterms:isPartOf><dc:subject xml:lang="sl">glasba</dc:subject><dc:subject xml:lang="sl">kadenčne sheme</dc:subject><dc:subject xml:lang="sl">madrigal</dc:subject><dc:subject xml:lang="en">music</dc:subject><dc:subject xml:lang="sl">Petrarca, Francesco, 1304-1374</dc:subject><dc:subject xml:lang="sl">retorika</dc:subject><dc:subject xml:lang="en">rhetoric</dc:subject><dc:subject xml:lang="sl">vodenje glasov</dc:subject><dcterms:temporal rdf:resource="1965-2025" /><dc:title xml:lang="sl">Uzdasi u poodmakloj dobi| Petrarca, Vinci, Wert i Marenzio| Petrarch, Vinci, Wert and Marenzio| Sighs in advancing years|</dc:title><dc:description xml:lang="sl">Petrarch's sonnet "Se la mia vita da l'aspro tormento", in which the poet is expressing the hope that advanced age will bring him the courage to admit to his lady his long suppressed feelings, is conceived as a single sentence. The three sixteenth-century composers whose settings are discussed - Pietro Vinci, Giaches de Wert and Luca Marenzio, approach their tasks differently. Vinci employs a reserved, motet-influenced style, Wert delights in responding to Petrarch's suggestion of the waning beauty and advancing years with an ingenious symbolic scheme of cadential points, while Marenzio, reacting to the current fashion, opts for a texture in which singable phrases are shared by all four voices. In so doing, Marenzio slows down the pace of delivery and does not quite come up to the intensity with which Wert manages to rise to the challenges offered by Petrarch</dc:description><dc:description xml:lang="sl">Petrarcov sonet "Se la mia vita da l'aspro tormento", v katerem pesnik izpoveduje upanje, da mu bodo pozna leta prinesla pogum za priznanje dolgo potlačenih čustev do svoje ljubljene, je podan v enem stavku. Predstavljene uglasbitve treh skladateljev 16. stoletja - Pietra Vincija, Giaches de Werta in Luce Marenzia, ga uresničujejo na različne načine. Vinci pod vplivom moteta uporablja zadržan stil, Wert se nad Petrarcovimi namigi blede lepote in poznimi leti navdušeno odziva z domiselno simbolično shemo kadenc, medtem kot Marenzio, reagirajoč na takratno modo, izbira teksturo, v kateri si vsi štirje glasovi delijo spevne fraze. S takšnim načinom je Marenzio upočasnil tempo govora in ni dosegel intenzitete s katero se je Wertu uspelo povzdigniti k izzivom Petrarcove poezije</dc:description><edm:type>TEXT</edm:type><dc:type xml:lang="sl">znanstveno časopisje</dc:type><dc:type xml:lang="en">journals</dc:type><dc:type rdf:resource="http://www.wikidata.org/entity/Q361785" /></edm:ProvidedCHO><ore:Aggregation rdf:about="http://www.dlib.si/?URN=URN:NBN:SI:doc-SO1RHVM4"><edm:aggregatedCHO rdf:resource="URN:NBN:SI:doc-SO1RHVM4" /><edm:isShownBy rdf:resource="http://www.dlib.si/stream/URN:NBN:SI:doc-SO1RHVM4/7b3a329b-7805-4436-9c2a-7415de5ac566/PDF" /><edm:rights rdf:resource="http://creativecommons.org/licenses/by-sa/4.0/" /><edm:provider>Slovenian National E-content Aggregator</edm:provider><edm:intermediateProvider xml:lang="en">National and University Library of Slovenia</edm:intermediateProvider><edm:dataProvider xml:lang="sl">Univerza v Ljubljani, Filozofska fakulteta</edm:dataProvider><edm:object rdf:resource="http://www.dlib.si/streamdb/URN:NBN:SI:doc-SO1RHVM4/maxi/edm" /><edm:isShownAt rdf:resource="http://www.dlib.si/details/URN:NBN:SI:doc-SO1RHVM4" /></ore:Aggregation></rdf:RDF>