<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-STMT68D0</identifier><date>2025</date><creator>Kričevcov Maričić, Nataša</creator><relation>documents/doc/S/URN_NBN_SI_doc-STMT68D0_001.pdf</relation><relation>documents/doc/S/URN_NBN_SI_doc-STMT68D0_001.txt</relation><format format_type="issue">1</format><format format_type="volume">21</format><format format_type="type">article</format><format format_type="extent">str. 123-153</format><identifier identifier_type="DOI">10.3986/dmd21.1.04</identifier><identifier identifier_type="ISSN">1854-3405</identifier><identifier identifier_type="COBISSID_HOST">268481283</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-STMT68D0</identifier><language>eng</language><publisher publisher_location="Ljubljana">Muzikološki inštitut ZRC SAZU</publisher><source>De musica disserenda</source><rights>BY-SA</rights><subject language_type_id="eng">Croatian music criticism</subject><subject language_type_id="eng">Croatian musical historiography</subject><subject language_type_id="slv">glasbena produkcija žensk</subject><subject language_type_id="eng">history of reception</subject><subject language_type_id="slv">hrvaška glasbena historiografija</subject><subject language_type_id="slv">hrvaška glasbena kritika</subject><subject language_type_id="slv">Pejačević, Dora</subject><subject language_type_id="eng">women’s musical production</subject><subject language_type_id="slv">zgodovina recepcije</subject><title>A national musical heroine at the margins of concert life</title><title>the case of Dora Pejačević</title></Record>