<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-SW7SW6I3</identifier><date>2020</date><creator>Marcaletti, Livio</creator><relation>documents/doc/S/URN_NBN_SI_doc-SW7SW6I3_001.pdf</relation><relation>documents/doc/S/URN_NBN_SI_doc-SW7SW6I3_001.txt</relation><format format_type="issue">1</format><format format_type="volume">16</format><format format_type="type">article</format><format format_type="extent">str. 37-55</format><identifier identifier_type="COBISSID_HOST">14360579</identifier><identifier identifier_type="ISSN">1854-3405</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-SW7SW6I3</identifier><language>ger</language><coverage coverage_type="temporal">1714</coverage><coverage coverage_type="temporal">1724</coverage><coverage coverage_type="spatial">Hamburg</coverage><publisher>Muzikološki inštitut ZRC SAZU</publisher><source>De musica disserenda</source><rights>BY-NC-ND</rights><subject language_type_id="eng">Hamburg (Germany)</subject><subject language_type_id="slv">Hamburg (Nemčija)</subject><subject language_type_id="slv">Mattheson, Johann</subject><subject language_type_id="slv">opera</subject><subject language_type_id="slv">satira</subject><subject language_type_id="eng">satire</subject><title>Georg Philipp Telemanns Der neumodische Liebhaber Damon (1724)</title><title>Umwandlung eines Wiener Schäferspiels in eine Sittensatire</title></Record>