<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-SYOCXKDT</identifier><date>2020</date><creator>Sukljan, Nejc</creator><relation>documents/doc/S/URN_NBN_SI_doc-SYOCXKDT_001.pdf</relation><relation>documents/doc/S/URN_NBN_SI_doc-SYOCXKDT_001.txt</relation><format format_type="issue">2</format><format format_type="volume">56</format><format format_type="type">article</format><format format_type="extent">str. 183-206</format><identifier identifier_type="ISSN">0580-373X</identifier><identifier identifier_type="DOI">10.4312/mz.56.2.183-206</identifier><identifier identifier_type="COBISSID_HOST">44862211</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-SYOCXKDT</identifier><language>eng</language><publisher>Znanstvena založba Filozofske fakultete</publisher><source>Muzikološki zbornik</source><rights>BY-SA</rights><subject language_type_id="slv">antika</subject><subject language_type_id="eng">Antiquity</subject><subject language_type_id="slv">glasbena teorija</subject><subject language_type_id="eng">music theory</subject><subject language_type_id="eng">Renaissance</subject><subject language_type_id="slv">renesansa</subject><subject language_type_id="slv">senario</subject><subject language_type_id="slv">Zarlino, Gioseffo</subject><title>Renaissance music between science and art</title><title>the case of Gioseffo Zarlino</title></Record>