374 KB76 KB196520252020Sukljan, Nejcštevilka:2letnik:56str. 183-206ISSN:0580-373XDOI:10.4312/mz.56.2.183-206COBISSID_HOST:44862211URN:URN:NBN:SI:doc-SYOCXKDTenZnanstvena založba Filozofske fakulteteMuzikološki zbornikantikaAntiquityglasbena teorijamusic theoryRenaissancerenesansasenarioZarlino, GioseffoRenaissance music between science and art| the case of Gioseffo Zarlino|This paper deals with the role of ancient music theory in Gioseffo Zarlino's Istitutioni harmoniche and, within its framework, in particular with mathematical and physical considerations and their relevance to audible music. An outline of the treatise is followed by a presentation of Zarlino's justification of music as scienza and arte. Finally, two case studies are presented on joining ancient theory with contemporary musical practice: the division of the interval and the system of the senarioPrispevek obravnava vlogo antične glasbene teorije v traktatu Istitutioni harmoniche Gioseffa Zarlina. V tem okviru so posebej izpostavljeni Zarlinovi matematični in fizikalni premisleki in njihov pomen za razpravo o dejanski, zveneči glasbi. Po orisu zasnove Istitutioni in predstavitvi Zarlinovega utemeljevanja glasbe kot scienze in arte sta podana konkretna primera povezovanja antične teorije s sodobno glasbeno prakso: delitev intervala in sistem senarioTEXTznanstveno časopisjejournalsSlovenian National E-content AggregatorNational and University Library of SloveniaUniverza v Ljubljani, Filozofska fakulteta