<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-T59NOKUP</identifier><date>2019</date><creator>Ženko, Ernest</creator><relation>documents/doc/T/URN_NBN_SI_doc-T59NOKUP_001.pdf</relation><relation>documents/doc/T/URN_NBN_SI_doc-T59NOKUP_001.txt</relation><format format_type="issue">3</format><format format_type="volume">40</format><format format_type="type">article</format><format format_type="extent">str. 277-291, 309-310</format><identifier identifier_type="ISSN">0353-4510</identifier><identifier identifier_type="COBISSID_HOST">46094637</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-T59NOKUP</identifier><language>eng</language><publisher>Filozofski inštitut ZRC SAZU</publisher><source>Filozofski vestnik</source><rights>BY-NC-ND</rights><subject language_type_id="eng">film aesthetics</subject><subject language_type_id="eng">film criticism</subject><subject language_type_id="slv">filmi</subject><subject language_type_id="slv">filmska estetika</subject><subject language_type_id="slv">filmska kritika</subject><subject language_type_id="eng">motion pictures</subject><subject language_type_id="eng">multiculturalism</subject><subject language_type_id="slv">multikulturalizem</subject><title>Film, philosophy, and intercultural film criticism</title></Record>