<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-T6S45NXM</identifier><date>2022</date><creator>Caruso, Fulvia</creator><relation>documents/doc/T/URN_NBN_SI_doc-T6S45NXM_001.pdf</relation><relation>documents/doc/T/URN_NBN_SI_doc-T6S45NXM_001.txt</relation><format format_type="issue">1</format><format format_type="volume">58</format><format format_type="type">article</format><format format_type="extent">str. 145-160</format><identifier identifier_type="ISSN">0580-373X</identifier><identifier identifier_type="DOI">10.4312/mz.58.1.145-160</identifier><identifier identifier_type="COBISSID">181675267</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-T6S45NXM</identifier><language>eng</language><publisher>Založba Univerze v Ljubljani</publisher><source>Muzikološki zbornik</source><rights>BY-SA</rights><subject language_type_id="slv">communitas</subject><subject language_type_id="slv">COVID-19</subject><subject language_type_id="slv">Italija</subject><subject language_type_id="slv">nabožna glasba</subject><subject language_type_id="slv">pandemije</subject><subject language_type_id="slv">romanje</subject><subject language_type_id="slv">verski obredi</subject><subject language_type_id="slv">virtualna kompenzacija</subject><title>Can social media replace a suspended rite?</title><title>an example from central Italy</title></Record>