<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-TNZ525G7</identifier><date>2010</date><creator>Rošker, Jana S.</creator><relation>documents/doc/T/URN_NBN_SI_doc-TNZ525G7_001.pdf</relation><relation>documents/doc/T/URN_NBN_SI_doc-TNZ525G7_001.txt</relation><format format_type="issue">1</format><format format_type="volume">46</format><format format_type="type">article</format><format format_type="extent">str. 81-96</format><identifier identifier_type="ISSN">0580-373X</identifier><identifier identifier_type="COBISSID">42815330</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-TNZ525G7</identifier><language>slv</language><publisher>Znanstvena založba Filozofske fakultete</publisher><source>Muzikološki zbornik</source><rights>BY-SA</rights><subject language_type_id="slv">epistemologija glasbe</subject><subject language_type_id="slv">Ji, Kang</subject><subject language_type_id="slv">kitajska filozofija</subject><subject language_type_id="slv">kitajska teorija glasbe</subject><title>An epistemological interpretation of Ji Kang's essay "Music has in it neither grief nor joy" Sheng wu ai le lun</title><title>Epistemološka interpretacija Ji Kangovega eseja "V glasbi ni žalosti ne radosti" Sheng wu ai le lun</title></Record>