327 KB32 KB195520252017Rezoničnik, Lidijaštevilka:2/3letnik:62str. 55-65ISSN:0021-6933COBISSID_HOST:65333090URN:URN:NBN:SI:doc-TQI4CB7VslSlavistično društvo SlovenijeJezik in slovstvo"Dolina Issy"autobiographyavtobiografijaavtobiografski diskurzavtobiografski romanifilmske priredbefilm-spominKonwicki, Tadeusz, 1926-2015Miłosz, Czesław, 1911-2004Polish literaturepoljska književnostpoljski pisateljipoljski režiserjiDolina Isse| duhovna avtobiografija in "film spomin"|The article deals with the novel The Issa Valley, written by the Nobel laureate in literature Czesław Miłosz, and its eponymous film adaptation by film director Tadeusz Konwicki. Both authors were born in the region of today's Lithuania, which, with its intact natural environment and ancient folk beliefs, left a strong mark on their childhoods. In the present novel or film, the authors narrate their childhood through fragmentary memories, which are transformed by fiction, and through representations of thoughts: while Miłosz narrates his own childhood, Konwicki transforms the novel into film and shows the story through audio-visual images, at the same time also exposing himself in the role of author. With a chronotope analysis, and based on the anthropological-morphological method of film analysis, the contribution presents the methods of verbal and audio-visual representation of an adult-narrator memory on the landscape of his home region and on the time of childhood as well as defining the discussed works with the categories "spiritual autobiography" and "film-memory"Članek obravnava roman Dolina Isse nobelovca Czesława Miłosza in istoimensko filmsko priredbo režiserja Tadeusza Konwickega. Oba avtorja sta bila rojena na območju današnje Litve, v pokrajini, ki je z neokrnjeno naravo in starodavnimi litovskimi verovanji pustila močan pečat na njunem otroštvu. V obravnavanem romanu oziroma filmu kot odrasla pripovedovalca s fragmentarnim nizanjem spominov, preoblikovanih s fikcijo, in razmišljanj pripovedujeta o otroštvu: Miłosz neposredno o svojem, Konwicki pa Miłoszev roman transformira v filmski medij, pri čemer romaneskno dogajanje prikaže skozi avdiovizualne podobe in se v filmu tudi neposredno izpostavi v avtorski vlogi. Z analizo kronotopa oziroma antropološko-morfološko analizo filma prispevek predstavlja načine besednega in avdiovizualnega prikaza spomina odraslega pripovedovalca na rojstno pokrajino in čas otroštva ter obravnavani deli opredeljuje s kategorijama duhovna avtobiografija in "film spomin"TEXTznanstveno časopisjejournalsSlovenian National E-content AggregatorNational and University Library of SloveniaSlavistično društvo Slovenije