106 KB45 KB198920252025Zeiher, Cindyštevilka:2letnik:46str. 162-181ISSN:0353-4510DOI:10.3986/fv.46.2.07COBISSID_HOST:266679811URN:URN:NBN:SI:doc-U9B2MH0BenFilozofski inštitut ZRC SAZUFilozofski vestnikglasbaLacan, JacquesmusicpsihoanalizapsychoanalysisSchubert’s mise-en-abîme| reading Copjec’s literacy of desire as one already spoken for|In honor of the thirtieth anniversary of Joan Copjec’s important and influential text, Read My Desire: Lacan Against the Historicists, this essay explores how the psychoana-lytic conceptualization of desire operates musically as much as linguistically. If the un-conscious is structured like a language, then music is structured like a desire for a lan-guage to be already spoken for. Franz Schubert’s evocative lieder literally speak about music’s capacity to capture and tarry with desire as a force always to be reckoned withV počastitev tridesete obletnice izida pomembne in vplivne knjige Joan Copjec Read My Desire: Lacan Against Historicists članek raziskuje, kako želja deluje v glasbi in jeziku. Če je govorica strukturirana kot govorica, potem je glasba strukturirana kot želja po govo-rici, ki je že bila izgovorjena. Schubertov evokativen samospev dobesedno govori o spo-sobnosti glasbe, da zajame in rokuje z željo kot silo, s katero je treba vedno obračunatiTEXTznanstveno časopisjejournalsSlovenian National E-content AggregatorNational and University Library of SloveniaZRC SAZU