<?xml version="1.0"?><rdf:RDF xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:edm="http://www.europeana.eu/schemas/edm/" xmlns:wgs84_pos="http://www.w3.org/2003/01/geo/wgs84_pos" xmlns:foaf="http://xmlns.com/foaf/0.1/" xmlns:rdaGr2="http://rdvocab.info/ElementsGr2" xmlns:oai="http://www.openarchives.org/OAI/2.0/" xmlns:owl="http://www.w3.org/2002/07/owl#" xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:ore="http://www.openarchives.org/ore/terms/" xmlns:skos="http://www.w3.org/2004/02/skos/core#" xmlns:dcterms="http://purl.org/dc/terms/"><edm:WebResource rdf:about="http://www.dlib.si/stream/URN:NBN:SI:doc-UBTZAEIU/92d9b765-6bd0-4380-9f1f-a24720127f92/PDF"><dcterms:extent>300 KB</dcterms:extent></edm:WebResource><edm:WebResource rdf:about="http://www.dlib.si/stream/URN:NBN:SI:doc-UBTZAEIU/4080ee9d-5bf0-4505-9132-ff0131b9cf17/TEXT"><dcterms:extent>61 KB</dcterms:extent></edm:WebResource><edm:TimeSpan rdf:about="2009-2025"><edm:begin xml:lang="en">2009</edm:begin><edm:end xml:lang="en">2025</edm:end></edm:TimeSpan><edm:ProvidedCHO rdf:about="URN:NBN:SI:doc-UBTZAEIU"><dcterms:isPartOf rdf:resource="https://www.dlib.si/details/URN:NBN:SI:spr-GMZ1HMBU" /><dcterms:issued>2017</dcterms:issued><dc:creator>Burcar, Lilijana</dc:creator><dc:format xml:lang="sl">številka:1</dc:format><dc:format xml:lang="sl">letnik:9</dc:format><dc:format xml:lang="sl">str. 139-158</dc:format><dc:identifier>ISSN:1855-8453</dc:identifier><dc:identifier>COBISSID_HOST:65995618</dc:identifier><dc:identifier>URN:URN:NBN:SI:doc-UBTZAEIU</dc:identifier><dc:language>en</dc:language><dc:publisher xml:lang="sl">Znanstvena založba Filozofske fakultete</dc:publisher><dcterms:isPartOf xml:lang="sl">Vestnik za tuje jezike</dcterms:isPartOf><dc:subject xml:lang="sl">"The bluest eye"</dc:subject><dc:subject xml:lang="en">Afro-American literature</dc:subject><dc:subject xml:lang="sl">afro-ameriška književnost</dc:subject><dc:subject xml:lang="en">American novel</dc:subject><dc:subject xml:lang="sl">ameriški roman</dc:subject><dc:subject xml:lang="en">beauty myth</dc:subject><dc:subject xml:lang="en">feminist theory</dc:subject><dc:subject xml:lang="sl">feministična teorija</dc:subject><dc:subject xml:lang="sl">mit lepote</dc:subject><dc:subject xml:lang="sl">Morrison, Toni, 1931-</dc:subject><dc:subject xml:lang="en">postcolonial theory</dc:subject><dc:subject xml:lang="sl">postkolonialna teorija</dc:subject><dc:subject rdf:resource="http://www.wikidata.org/entity/Q4810748" /><dcterms:temporal rdf:resource="2009-2025" /><dc:title xml:lang="sl">Imploding the racialized and patriarchal beauty myth through the critical lens of Toni Morrison's The bluest eye|</dc:title><dc:description xml:lang="sl">This contribution investigates and lays bare the ideological workings of racialized beauty myth as presented in Toni Morrison's The Bluest Eye by bringing together feminist theory and postcolonial theory of race. It demonstrates that racialized beauty norms are informed by both the constructs of gender and race, and that they serve as a tool of social positioning and social control in Western capitalist patriarchies. This kind of contextual understanding, which Morrison's The Bluest Eye helps to foster on a number of structurally interlocked levels, is also of crucial importance for the understanding of the way beauty myth operates today in the context of globally exported Western beauty industry. Its basic tenets remain firmly rooted in the construction and perpetuation of racialized and gendered otherness, which is why The Bluest Eye remains an eye-opener and therefore a novel of lasting value for readers in general and, as this contribution demonstrates, for students of English literature in particular</dc:description><dc:description xml:lang="sl">Prispevek razkriva in razčlenjuje ideološke podmene rasističnega mita lepote, kot jih raziskuje Toni Morrison v svojem romanu The Bluest Eye (Najbolj modre oči), pri čemer medsebojno strukturno preplete feministično teorijo in postkolonialno teorijo. Izpostavlja, da evrocentrične in torej rasistično zastavljene norme lepote temeljijo tako na konstruktih spola kot rase, in da služijo kot oblika družbenega pozicioniranja in družbene kontrole v zahodnih kapitalističnih patriarhalnih družbah. Tovrstno kontekstualno umeščeno razumevanje mita lepote, ki ga vzpodbuja tudi roman, je ključnega pomena tudi za razumevanje načina, na katerega mit lepote deluje danes v kontekstu globalne zahodnoevropske lepotne industrije. Osnovne podmene tega mita ostajajo globoko vpete v procese konstruiranja in vpisovanja družbenospolne in rasne drugosti, zavoljo česar roman ohranja trajno vrednost v svoji ozaveščevalni vlogi tako med bralstvom na splošno, in še prav posebej, kot dokazuje prispevek, med mladimi generacijami študentk in študentov angleške literature</dc:description><edm:type>TEXT</edm:type><dc:type xml:lang="sl">znanstveno časopisje</dc:type><dc:type xml:lang="en">journals</dc:type><dc:type rdf:resource="http://www.wikidata.org/entity/Q361785" /></edm:ProvidedCHO><ore:Aggregation rdf:about="http://www.dlib.si/?URN=URN:NBN:SI:doc-UBTZAEIU"><edm:aggregatedCHO rdf:resource="URN:NBN:SI:doc-UBTZAEIU" /><edm:isShownBy rdf:resource="http://www.dlib.si/stream/URN:NBN:SI:doc-UBTZAEIU/92d9b765-6bd0-4380-9f1f-a24720127f92/PDF" /><edm:rights rdf:resource="http://creativecommons.org/licenses/by-sa/4.0/" /><edm:provider>Slovenian National E-content Aggregator</edm:provider><edm:intermediateProvider xml:lang="en">National and University Library of Slovenia</edm:intermediateProvider><edm:dataProvider xml:lang="sl">Znanstvena založba Filozofske fakultete</edm:dataProvider><edm:object rdf:resource="http://www.dlib.si/streamdb/URN:NBN:SI:doc-UBTZAEIU/maxi/edm" /><edm:isShownAt rdf:resource="http://www.dlib.si/details/URN:NBN:SI:doc-UBTZAEIU" /></ore:Aggregation></rdf:RDF>