<?xml version="1.0"?><rdf:RDF xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:edm="http://www.europeana.eu/schemas/edm/" xmlns:wgs84_pos="http://www.w3.org/2003/01/geo/wgs84_pos" xmlns:foaf="http://xmlns.com/foaf/0.1/" xmlns:rdaGr2="http://rdvocab.info/ElementsGr2" xmlns:oai="http://www.openarchives.org/OAI/2.0/" xmlns:owl="http://www.w3.org/2002/07/owl#" xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:ore="http://www.openarchives.org/ore/terms/" xmlns:skos="http://www.w3.org/2004/02/skos/core#" xmlns:dcterms="http://purl.org/dc/terms/"><edm:WebResource rdf:about="http://www.dlib.si/stream/URN:NBN:SI:doc-UE8OPLCN/18798001-7222-473c-81d1-a1f725504c27/PDF"><dcterms:extent>1398 KB</dcterms:extent></edm:WebResource><edm:WebResource rdf:about="http://www.dlib.si/stream/URN:NBN:SI:doc-UE8OPLCN/7df103c1-b967-46e3-8900-a45802c8caab/TEXT"><dcterms:extent>39 KB</dcterms:extent></edm:WebResource><edm:TimeSpan rdf:about="1965-2025"><edm:begin xml:lang="en">1965</edm:begin><edm:end xml:lang="en">2025</edm:end></edm:TimeSpan><edm:ProvidedCHO rdf:about="URN:NBN:SI:doc-UE8OPLCN"><dcterms:isPartOf rdf:resource="https://www.dlib.si/details/URN:NBN:SI:spr-TGP90WRZ" /><dcterms:issued>2014</dcterms:issued><dc:creator>Pompe, Gregor</dc:creator><dc:format xml:lang="sl">številka:2</dc:format><dc:format xml:lang="sl">letnik:50</dc:format><dc:format xml:lang="sl">str. 111-125</dc:format><dc:identifier>ISSN:0580-373X</dc:identifier><dc:identifier>COBISSID:56517474</dc:identifier><dc:identifier>URN:URN:NBN:SI:doc-UE8OPLCN</dc:identifier><dc:language>en</dc:language><dc:publisher xml:lang="sl">Znanstvena založba Filozofske fakultete</dc:publisher><dcterms:isPartOf xml:lang="sl">Muzikološki zbornik</dcterms:isPartOf><dc:subject xml:lang="sl">20.st.</dc:subject><dc:subject xml:lang="sl">balkanska glasba</dc:subject><dc:subject xml:lang="sl">baltska glasba</dc:subject><dc:subject xml:lang="sl">Kutavičius, Bronius, 1932-</dc:subject><dc:subject xml:lang="sl">Lebič, Lojze, 1934-</dc:subject><dc:subject xml:lang="sl">postmodernizem</dc:subject><dc:subject xml:lang="sl">primerjave</dc:subject><dc:subject xml:lang="sl">ritualnost</dc:subject><dc:subject xml:lang="sl">Tormis, Veljo, 1930-</dc:subject><dcterms:temporal rdf:resource="1965-2025" /><dc:title xml:lang="sl">Sacral rituality and mysticism in the service of the awakening of national identity| Baltic-Balkan parallels in the works of B. Kutavičius, L. Lebič and V. Tormis| baltiškobalkanske vzporednice v delih B. Kutavičiusa, L. Lebiča in V. Tormisa| Sakralna ritualnost in misticizem v službi prebujanja nacionalne identitete|</dc:title><dc:description xml:lang="sl">In the works of all B. Kutavičius, L. Lebič and V. Tormis, one can find a pronounced inclination towards the ritual, the use of folk instruments, the idea of the circulation of life, and some sort of simulation of folk music of unidentifiable prehistoric times. These parallels raise the questions about the causes for such similarities which are connected to the socio-political situations of countries in which the composers lived and created. Therefore, it is not possible to disconnect the stylistic changes of the seventies and eighties from the desire for political and ideological liberation. All three composers responded to those trends with similar artistic solutions: they searched for mystical and sacral music of prehistoric tribes which functioned as trigger for the awakening of strong national feelings</dc:description><dc:description xml:lang="sl">V delih B. Kutavičiusa, L. Lebiča in V. Tormisa lahko odkrijemo izrazito naklonjenost do ritualnosti, uporabe ljudskih inštrumentov, ideje kroženja življenja in nekakšne simulacije ljudske glasbe iz historično neopredeljivega časa. Takšne paralele vzbujajo vprašanja o vzrokih podobnosti, ki so povezani s socialno-politično situacijo držav, v katerih so skladatelji živeli in ustvarjali. Zato stilističnih sprememb v sedemdesetih in osemdesetih letih ni mogoče ločiti od želje po politični in ideološki osvoboditvi. Vsi trije skladatelji so na takšne trende odgovorili s podobnimi umetniškimi rešitvami: iskali so mistično in sakralno glasbo predzgodovinskih ljudstev, ki služi kot sprožilec močnih nacionalnih čustev</dc:description><edm:type>TEXT</edm:type><dc:type xml:lang="sl">znanstveno časopisje</dc:type><dc:type xml:lang="en">journals</dc:type><dc:type rdf:resource="http://www.wikidata.org/entity/Q361785" /></edm:ProvidedCHO><ore:Aggregation rdf:about="http://www.dlib.si/?URN=URN:NBN:SI:doc-UE8OPLCN"><edm:aggregatedCHO rdf:resource="URN:NBN:SI:doc-UE8OPLCN" /><edm:isShownBy rdf:resource="http://www.dlib.si/stream/URN:NBN:SI:doc-UE8OPLCN/18798001-7222-473c-81d1-a1f725504c27/PDF" /><edm:rights rdf:resource="http://creativecommons.org/licenses/by-sa/4.0/" /><edm:provider>Slovenian National E-content Aggregator</edm:provider><edm:intermediateProvider xml:lang="en">National and University Library of Slovenia</edm:intermediateProvider><edm:dataProvider xml:lang="sl">Univerza v Ljubljani, Filozofska fakulteta</edm:dataProvider><edm:object rdf:resource="http://www.dlib.si/streamdb/URN:NBN:SI:doc-UE8OPLCN/maxi/edm" /><edm:isShownAt rdf:resource="http://www.dlib.si/details/URN:NBN:SI:doc-UE8OPLCN" /></ore:Aggregation></rdf:RDF>