<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-UGD3S73Y</identifier><date>2014</date><creator>Hochradner, Thomas</creator><relation>documents/doc/U/URN_NBN_SI_doc-UGD3S73Y_001.pdf</relation><relation>documents/doc/U/URN_NBN_SI_doc-UGD3S73Y_001.txt</relation><format format_type="issue">2</format><format format_type="volume">50</format><format format_type="type">article</format><format format_type="extent">str. 213-221</format><identifier identifier_type="ISSN">0580-373X</identifier><identifier identifier_type="COBISSID">56535906</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-UGD3S73Y</identifier><language>eng</language><publisher>Znanstvena založba Filozofske fakultete</publisher><source>Muzikološki zbornik</source><rights>BY-SA</rights><subject language_type_id="slv">Alfano, Franco, 1875-1954</subject><subject language_type_id="slv">dramatični pristop</subject><subject language_type_id="slv">dramatizacija sakralnosti</subject><subject language_type_id="slv">glasba</subject><subject language_type_id="slv">Händel, Georg Friedrich, 1685-1759</subject><subject language_type_id="slv">La Resurrezione</subject><subject language_type_id="eng">music</subject><subject language_type_id="slv">Risurrezione</subject><subject language_type_id="slv">vzorci dramatizacije sakralnosti</subject><title>dve branji dramatičnega pristopa v glasbi</title><title>Gospod živi ---</title><title>Revived is the Lord ---</title><title>two readings of a dramatic approach in music</title></Record>