36 KB62 KB35 KB195520252005Pezdirc-Bartol, Matejaštevilka:3/4letnik:50str. 49-60ISSN:0021-6933URN:URN:NBN:SI:doc-URIA5MVEslSlavistično društvo SlovenijeJezik in slovstvoMöderndorfer, VinkomotiviPartljič, ToneSlovene literatureslovenska književnostslovenska komedijatematikaMotivi in teme v najnovejših komedijah Toneta Partljiča in Vinka Möderndorferja|The article is an analysis of ten most recent comedies by Tone Partljič, collected in the books Komedije (Comedies, 1979) and Izbrane komedije I, II, III (Selected comedies I, II, III, 2003), and seven comedies by Vinko Möderndorfer, published in Vaja zbora - tri komedije (Rehersal for Choir - Three comedies, 1998) and Limonada slovenica: štiri komedije (Soap Opera Slovenica: Four comedies, 2003). The results of the analysis show that in their comedies they frequently emply thematic elements of capital in the society and the issue of upstarts, relations between the urban and the rural world, and, to large extent, also political events: elections, party discords, lust for power, and responses to different topical questions of our time. However, rare are the comedies without a social engagement eith a pronounced erotic component, or those merely aiming to entertain. Comical effects most frequently arise from the elements of situational comedy and the domedy of characters, with added numerous linguistic ambiguities, misunderstandings, and puns. As illustrated by its most engaged and successful writers, Slovene comedy critically responds to the current events within the society, is topical and therefore also bound to the time of its creation. In this sense, Möderndorfer is more universal, paying more attention to the linguistic ambiguities and situational entanglements, while Partljič foreground topical political situations, ridiculing the elements of everyday lifeV članku analiziramo dest najnovejših komedij Toneta Partljiča, zbranih v knjigah Komedije (1997) in Izbrane komedije I, II, III (2003), ter sedem komedij Vinka Möderndorferja, objavljenih v Vaja zbora - tri komedije (1998) ter Limonada slovenica: štiri komedije (2003). Ugotavljamo, da so pogosti tematski elementi njinih komedij vloga kapitala v družbi in povzpetništvo, razmerje med mestom in podeželjem oziroma urbanim in ruralnim, velik delež pripada političnemu dogajanju: volitve, strankarske razprtije, želja po oblasti ter odmevi na različna aktualna vprašanja našega časa. Redke pa so komedije brez družbene angažiranosti, ki bi imele poudarjeno erotično komponento oziroma bi želele zgolj zabavati. Komični učinki najpogosteje izhajajo iz elementov situacijske komedije in komedije značajev, ki so jim dodane številne jezikovne dvoumnosti, nesporazumi, besedne igre. Slovenska komedija, kot jo izkazujeta njena najbolj zagnana in uspešna pisca, se sproti kritično odziva na dogajanja v družbi, je aktualna in s tem zavezana času. V tem smislu je Möderndorfer bolj univerzalen, saj daje več poudarja jezikovnim dvoumnostim in situacijskim zapletom, medtem ko je pri Partljiču v ospredju politična aktualnost in smešenje elementov iz vsakdanaTEXTznanstveno časopisjejournalsSlovenian National E-content AggregatorNational and University Library of SloveniaSlavistično društvo Slovenije