273 KB21 KB195520252015Toporišič, Tomažštevilka:1letnik:60str. 53-61, 104ISSN:0021-6933COBISSID:3874139URN:URN:NBN:SI:doc-UT39E7GOslSlavistično društvo SlovenijeJezik in slovstvo"Sholion"dramatik kot scenaristJelinek, Elfriede, 1946-metagledališkostperformativna revolucijaSlovene literatureslovenska književnostslovenski dramatikisodobna dramaZupan, Vitomil, 1914-1987Kako Vitomil Zupan misli gledališče|The essay focuses on a seemingly simple question: How did Vitomil Zupan think theatre? The answer to this question can be found in a dialogue with the author's thoughts from his plays, theatrical writings and essays that can be linked to the ideas of 20th century theatre practitioners and theorists such as Artaud, Brecht, Kermauner, Jovanović, Taufer and Šeligo. Zupan's conceptions of drama and theatre are linked to and compared with the conceptions of theatre today. It is thus possible to establish how far-reaching his thinking about theatre was, and how productive it can be for theatre after the turn of the millennium. The centre of interest is Sholion (theatre 1972, with a particular focus on the mechanism of performance and its relation to the so-called message), his all too frequently forgotten theoretical treatise on theatre with its attractive conception of the highly dynamic relationship between drama and performance, as well as its concept of theatre as a complex phenomenon with its specific dialectic of mixed media. Drama writing must therefore be open to various ways of theatrical performanceRazprava si zastavi na videz enostavno vprašanje: Kako Vitomil Zupan misli gledališče? Odgovor poišče v dialogu z avtorjevo dramsko, gledališko in esejistično pisavo, ki jih vpne v sočasne misli o gledališču, tako praktikov kot teoretikov: od Artauda do Brechta oziroma od Kermaunerja do Jovanovića ali od Tauferja do Šeliga. Vse skupaj naveže na današnji čas, na to, kako danes mislimo gledališče. Na ta način preverja, kako daljnosežno je bilo Zupanovo mišljenje gledališča, hkrati pa tudi, kako je lahko to mišljenje gledališča produktivno za današnji čas: za gledališko, dramsko, uprizoritveno teorijo in prakso. Izhaja iz pisateljeve preveč pozabljene knjige-razprave Sholion (gledališče 1972, s posebnim ozirom na mehanizem postavitve in odnos do t. i. sporočila) ter prikaže, kako Zupan izgradi še danes izrazito sodobno stališče, da ne smemo vztrajati na okopih dramskega gledališča, ampak nas mora zanimati gledališče kot fenomen, ki je kompleksen in povezuje različne medije. Dramska pisava mora biti zato odprta za različne načine gledališčenjaTEXTznanstveno časopisjejournalsSlovenian National E-content AggregatorNational and University Library of SloveniaSlavistično društvo Slovenije