{"?xml":{"@version":"1.0"},"edm:RDF":{"@xmlns:dc":"http://purl.org/dc/elements/1.1/","@xmlns:edm":"http://www.europeana.eu/schemas/edm/","@xmlns:wgs84_pos":"http://www.w3.org/2003/01/geo/wgs84_pos","@xmlns:foaf":"http://xmlns.com/foaf/0.1/","@xmlns:rdaGr2":"http://rdvocab.info/ElementsGr2","@xmlns:oai":"http://www.openarchives.org/OAI/2.0/","@xmlns:owl":"http://www.w3.org/2002/07/owl#","@xmlns:rdf":"http://www.w3.org/1999/02/22-rdf-syntax-ns#","@xmlns:ore":"http://www.openarchives.org/ore/terms/","@xmlns:skos":"http://www.w3.org/2004/02/skos/core#","@xmlns:dcterms":"http://purl.org/dc/terms/","edm:WebResource":[{"@rdf:about":"http://www.dlib.si/stream/URN:NBN:SI:doc-V2I99CUC/aa73f4ef-46da-4ee2-a383-04e0be00ab4e/HTML","dcterms:extent":"38 KB"},{"@rdf:about":"http://www.dlib.si/stream/URN:NBN:SI:doc-V2I99CUC/acaba51e-ec6c-422f-af0d-60164181934b/PDF","dcterms:extent":"341 KB"},{"@rdf:about":"http://www.dlib.si/stream/URN:NBN:SI:doc-V2I99CUC/2a9615bd-ad8c-4f1d-91b2-7a01bea84344/TEXT","dcterms:extent":"29 KB"}],"edm:TimeSpan":{"@rdf:about":"2001-2025","edm:begin":{"@xml:lang":"en","#text":"2001"},"edm:end":{"@xml:lang":"en","#text":"2025"}},"edm:ProvidedCHO":{"@rdf:about":"URN:NBN:SI:doc-V2I99CUC","dcterms:isPartOf":[{"@rdf:resource":"https://www.dlib.si/details/URN:NBN:SI:SPR-NX1KA8SL"},{"@xml:lang":"sl","#text":"AR. Arhitektura, raziskave"}],"dcterms:issued":"2005","dc:creator":"Marolt, Peter","dc:format":[{"@xml:lang":"sl","#text":"številka:1"},{"@xml:lang":"sl","#text":"letnik:5"},{"@xml:lang":"sl","#text":"str. 20-25"}],"dc:identifier":["ISSN:1580-5573","ISSN:1581-6974","COBISSID:1812100","URN:URN:NBN:SI:doc-V2I99CUC"],"dc:language":["en","sl"],"dc:publisher":{"@xml:lang":"sl","#text":"Fakulteta za arhitekturo"},"dc:subject":[{"@xml:lang":"en","#text":"architecture"},{"@xml:lang":"sl","#text":"arhitektura"},{"@xml:lang":"sl","#text":"arhitekturna vsebina"},{"@xml:lang":"sl","#text":"arhitekturni prostor"},{"@xml:lang":"sl","#text":"likovna komunikacija"},{"@rdf:resource":"http://www.wikidata.org/entity/Q12271"}],"dcterms:temporal":{"@rdf:resource":"2001-2025"},"dc:title":{"@xml:lang":"sl","#text":"Arhitekturna vsebina med abstraktnim in konkretnim| Architectural content between the abstract and real|"},"dc:description":[{"@xml:lang":"sl","#text":"The article presents methods of non-verbal communication and architectural expression as methods of artistic communication. Methods of non-verbal communication evolved in conjunction with consciousness, scientific and progress, cultural setting. By using \"images\" and \"sight they led to improved methods of communication, indirectly leading to complex architectural representation with architectural plans in the forefront. Even an architectural plan is a method of non-verbal communication, similar to a sketch or any form of representing architectural space. When the form of representing a building points out the ontological essence of its layout and expresses its identity to the extreme, when the source, structure of the idea and cognitive model are shown, when such representation implies transformation of the visual (and tactile) world into pure abstract form, then we speak about the form of (representing architectural space as) an ideogram, above all we thus confirm the link between architecture and other types of fine arts"},{"@xml:lang":"sl","#text":"Članek predstavlja načine neverbalne komunikacije in arhitekturni izraz kot način likovne komunikacije. Načini neverbalne komunikacije so se razvijali skladno z zavestjo, napredkom znanosti in tehnologije, kulturno sredino. S pomočjo \"podob\" in \"znakov\" pripeljejo do izpopolnjenega načina sporazumevanja, kar posredno pripelje tudi do kompleksne predstavitve arhitekture, v prvi vrsti arhitekturnega načrta. Tudi arhitekturni načrt je način neverbalne komunikacije, podobno kot skica in ostali načini predstavitve arhitekturnega prostora. Kadar oblika predstavitve objekta pokaže na ontološko bistvo njegove zasnove in ekstremno izraža identiteto objekta, kadar pokažemo izvor, strukturo ideje in model razmišljanja, kadar takšna predstavitev pomeni preoblikovanje vidnega (in tipnega) sveta v čisto abstraktno obliko, tedaj govorimo o obliki predstavitve arhitekturnega prostora kot ideograma, predvsem pa s tem potrjujemo tudi zvezo med arhitekturo in ostalimi zvrstmi likovne umetnosti"}],"edm:type":"TEXT","dc:type":[{"@xml:lang":"sl","#text":"znanstveno časopisje"},{"@xml:lang":"en","#text":"journals"},{"@rdf:resource":"http://www.wikidata.org/entity/Q361785"}]},"ore:Aggregation":{"@rdf:about":"http://www.dlib.si/?URN=URN:NBN:SI:doc-V2I99CUC","edm:aggregatedCHO":{"@rdf:resource":"URN:NBN:SI:doc-V2I99CUC"},"edm:isShownBy":{"@rdf:resource":"http://www.dlib.si/stream/URN:NBN:SI:doc-V2I99CUC/acaba51e-ec6c-422f-af0d-60164181934b/PDF"},"edm:rights":{"@rdf:resource":"http://rightsstatements.org/vocab/InC/1.0/"},"edm:provider":"Slovenian National E-content Aggregator","edm:intermediateProvider":{"@xml:lang":"en","#text":"National and University Library of Slovenia"},"edm:dataProvider":{"@xml:lang":"sl","#text":"Univerza v Ljubljani, Fakulteta za arhitekturo"},"edm:object":{"@rdf:resource":"http://www.dlib.si/streamdb/URN:NBN:SI:doc-V2I99CUC/maxi/edm"},"edm:isShownAt":{"@rdf:resource":"http://www.dlib.si/details/URN:NBN:SI:doc-V2I99CUC"}}}}