{"?xml":{"@version":"1.0"},"edm:RDF":{"@xmlns:dc":"http://purl.org/dc/elements/1.1/","@xmlns:edm":"http://www.europeana.eu/schemas/edm/","@xmlns:wgs84_pos":"http://www.w3.org/2003/01/geo/wgs84_pos","@xmlns:foaf":"http://xmlns.com/foaf/0.1/","@xmlns:rdaGr2":"http://rdvocab.info/ElementsGr2","@xmlns:oai":"http://www.openarchives.org/OAI/2.0/","@xmlns:owl":"http://www.w3.org/2002/07/owl#","@xmlns:rdf":"http://www.w3.org/1999/02/22-rdf-syntax-ns#","@xmlns:ore":"http://www.openarchives.org/ore/terms/","@xmlns:skos":"http://www.w3.org/2004/02/skos/core#","@xmlns:dcterms":"http://purl.org/dc/terms/","edm:WebResource":[{"@rdf:about":"http://www.dlib.si/stream/URN:NBN:SI:doc-V2MWR4XK/8f0c0c99-0a50-4bf3-ac42-4dae96539f8d/PDF","dcterms:extent":"136 KB"},{"@rdf:about":"http://www.dlib.si/stream/URN:NBN:SI:doc-V2MWR4XK/db659858-2e4d-41f7-b183-46a68ffa31f6/TEXT","dcterms:extent":"48 KB"}],"edm:TimeSpan":{"@rdf:about":"1965-2025","edm:begin":{"@xml:lang":"en","#text":"1965"},"edm:end":{"@xml:lang":"en","#text":"2025"}},"edm:ProvidedCHO":{"@rdf:about":"URN:NBN:SI:doc-V2MWR4XK","dcterms:isPartOf":[{"@rdf:resource":"https://www.dlib.si/details/URN:NBN:SI:spr-TGP90WRZ"},{"@xml:lang":"sl","#text":"Muzikološki zbornik"}],"dcterms:issued":"2013","dc:creator":"Hochradner, Thomas","dc:format":[{"@xml:lang":"sl","#text":"številka:2"},{"@xml:lang":"sl","#text":"letnik:49"},{"@xml:lang":"sl","#text":"str. 11-22"}],"dc:identifier":["ISSN:0580-373X","COBISSID:53603426","URN:URN:NBN:SI:doc-V2MWR4XK"],"dc:language":"en","dc:publisher":{"@xml:lang":"sl","#text":"Znanstvena založba Filozofske fakultete"},"dc:subject":[{"@xml:lang":"sl","#text":"zgodovina interpretacije glasbe"},{"@xml:lang":"sl","#text":"zgodovina recepcije"}],"dcterms:temporal":{"@rdf:resource":"1965-2025"},"dc:title":{"@xml:lang":"sl","#text":"Looking for coordinates| a challenge for research in reception and interpretation of music| Iskanje koordinat| izziv za raziskovanje recepcije in interpretacije glasbe|"},"dc:description":[{"@xml:lang":"sl","#text":"Research in reception of music usually tends to case studies or tabular forms, whereas studies in interpretation of music often are questioned with regard to the imponderabilities of technical conditions and optional revisions of sound recordings. As a lack of consciousness in respect to referential systems seems to be the starting point of the problem, the following paper suggests a basic model which is able to deal with music in all its writtenand sonorous manifestations"},{"@xml:lang":"sl","#text":"Raziskave na področju recepcije glasbe običajno težijo k študijskim primerom ali tabulaturam, pri čemer se študije interpretacije glasbe sprašujejo po nepreračunljivosti tehničnih pogojev in izbirnih predelavah glasbenih posnetkov. Ker je videti, da je pomanjkanje zavedanja v zvezi z referenčnimi sistemi izhodišče problema, ta razprava predlaga osnovni model, s katerim se lahko ukvarjamo z glasbo v vseh njenih pisnih in zvočnih pojavnostih"}],"edm:type":"TEXT","dc:type":[{"@xml:lang":"sl","#text":"znanstveno časopisje"},{"@xml:lang":"en","#text":"journals"},{"@rdf:resource":"http://www.wikidata.org/entity/Q361785"}]},"ore:Aggregation":{"@rdf:about":"http://www.dlib.si/?URN=URN:NBN:SI:doc-V2MWR4XK","edm:aggregatedCHO":{"@rdf:resource":"URN:NBN:SI:doc-V2MWR4XK"},"edm:isShownBy":{"@rdf:resource":"http://www.dlib.si/stream/URN:NBN:SI:doc-V2MWR4XK/8f0c0c99-0a50-4bf3-ac42-4dae96539f8d/PDF"},"edm:rights":{"@rdf:resource":"http://creativecommons.org/licenses/by-sa/4.0/"},"edm:provider":"Slovenian National E-content Aggregator","edm:intermediateProvider":{"@xml:lang":"en","#text":"National and University Library of Slovenia"},"edm:dataProvider":{"@xml:lang":"sl","#text":"Univerza v Ljubljani, Filozofska fakulteta"},"edm:object":{"@rdf:resource":"http://www.dlib.si/streamdb/URN:NBN:SI:doc-V2MWR4XK/maxi/edm"},"edm:isShownAt":{"@rdf:resource":"http://www.dlib.si/details/URN:NBN:SI:doc-V2MWR4XK"}}}}