{"?xml":{"@version":"1.0"},"edm:RDF":{"@xmlns:dc":"http://purl.org/dc/elements/1.1/","@xmlns:edm":"http://www.europeana.eu/schemas/edm/","@xmlns:wgs84_pos":"http://www.w3.org/2003/01/geo/wgs84_pos","@xmlns:foaf":"http://xmlns.com/foaf/0.1/","@xmlns:rdaGr2":"http://rdvocab.info/ElementsGr2","@xmlns:oai":"http://www.openarchives.org/OAI/2.0/","@xmlns:owl":"http://www.w3.org/2002/07/owl#","@xmlns:rdf":"http://www.w3.org/1999/02/22-rdf-syntax-ns#","@xmlns:ore":"http://www.openarchives.org/ore/terms/","@xmlns:skos":"http://www.w3.org/2004/02/skos/core#","@xmlns:dcterms":"http://purl.org/dc/terms/","edm:WebResource":[{"@rdf:about":"http://www.dlib.si/stream/URN:NBN:SI:doc-V3V7N110/ea14b21f-1de1-48d6-b6a8-93f2cf503916/PDF","dcterms:extent":"158 KB"},{"@rdf:about":"http://www.dlib.si/stream/URN:NBN:SI:doc-V3V7N110/24030c2e-adc8-42b6-909b-f02d3f042072/TEXT","dcterms:extent":"60 KB"}],"edm:TimeSpan":{"@rdf:about":"1994-2025","edm:begin":{"@xml:lang":"en","#text":"1994"},"edm:end":{"@xml:lang":"en","#text":"2025"}},"edm:ProvidedCHO":{"@rdf:about":"URN:NBN:SI:doc-V3V7N110","dcterms:isPartOf":[{"@rdf:resource":"https://www.dlib.si/details/URN:NBN:SI:spr-DN3Z0SCO"},{"@xml:lang":"sl","#text":"Annales. Series historia et sociologia"}],"dcterms:issued":"2015","dc:creator":"Jelesijević, Nenad","dc:format":[{"@xml:lang":"sl","#text":"letnik:25"},{"@xml:lang":"sl","#text":"številka:3"},{"@xml:lang":"sl","#text":"str. 505-516"}],"dc:identifier":["ISSN:1408-5348","COBISSID:33807453","URN:URN:NBN:SI:doc-V3V7N110"],"dc:language":"sl","dc:publisher":[{"@xml:lang":"sl","#text":"Societá storica del Litorale"},{"@xml:lang":"sl","#text":"Zgodovinsko društvo za južno Primorsko"}],"dc:subject":[{"@xml:lang":"en","#text":"art"},{"@xml:lang":"en","#text":"Arts"},{"@xml:lang":"sl","#text":"depolitizacija"},{"@xml:lang":"sl","#text":"Družbena kritika"},{"@xml:lang":"sl","#text":"estetizacija"},{"@xml:lang":"sl","#text":"Govor"},{"@xml:lang":"en","#text":"performance art"},{"@xml:lang":"sl","#text":"performans"},{"@xml:lang":"en","#text":"Politics"},{"@xml:lang":"sl","#text":"Politika"},{"@xml:lang":"en","#text":"Social critique"},{"@xml:lang":"en","#text":"Speech"},{"@xml:lang":"sl","#text":"Umetnost"}],"dcterms:temporal":{"@rdf:resource":"1994-2025"},"dc:title":{"@xml:lang":"sl","#text":"Performativne intervencije v estetskem režimu|"},"dc:description":[{"@xml:lang":"sl","#text":"While reflecting on politicisation of aesthetic and aestheticisation of emancipatory potential of art that could lead to its depoliticisation, we discuss two contemporary art performances from Slovenia-Carpeted Assumption (Koper, 2003) and The Burning Cross (Strunjan, 2002). We are indeed interested in practices that act, set up and influence in the aesthetic regime of identifi cation of images, beyond sensory-perceptual dimension of their performances. That criterion follows the premise that the political is a paradigm of the open-that it means a situation in which is enabled entry to whomsoever. We show that the examples converge to, encourage and affirm such situation. Therefore they place themselves into a wider social context of radically shrank space of speech; referring to J. Ranciere we understand speech as a fundamental condition of politics, i.e. embodiment of politics in a specific space of common. The connection between provocation initiated by the performances and their aestheticisation through institutional channels confirms an urge and also effect of critical performative interventions in aesthetic regime. The effect of transaesthetic apparatus of performance that critically intervenes into situations is-at the level of gesture-a rupture with the existing"},{"@xml:lang":"sl","#text":"Come l'arte viene politicizzata, o come cade nelle trappole dell'estetizzazione che conducono nella depoliticizzazione? Cerchiamo le risposte rifl ettendo su due performance provocatorie, L'Assunzione rivestita con moquette e La Santa Croce infi ammata. Con il presente contributo collochiamo i due esempi nel piu ampio contesto sociale caratterizzato dal regime estetico dell'identifi cazione delle immagini e dallo spazio del discorso rigorosamente ridotto. Rifferendoci al concetto teorico di J. Ranciere, il discorso viene concepito come la condizione fondamentale della politica, cioe come l'incorporamento della politica nello specifico spazio comune; il discorso e l'effetto dell'apparecchio transestetico della performance che interviene criticamente nelle situazioni perché al livello gestuale rompa con l'esistente"},{"@xml:lang":"sl","#text":"Kako se umetnost politizira ali pade v pasti estetizacije, ki vodijo v depolitizacijo? Odgovore iščemo med premišljevanjem dveh provokativnih performansov, Tapisoniranega vnebovzetja in Gorečega križa. Primera umeščamo v širši družbeni kontekst, ki ga zaznamuje estetski režim identifikacije podob in radikalno skrčen prostor govora. Govor, sklicujoč se na teoretske nastavke J. Ranciera, razumemo kot temeljni pogoj politike oziroma kot utelešenje politike v specifičnem prostoru skupnega; govor(jenje) je učinek transestetskega aparata performansa, ki kritično intervenira v situacije, da bi na ravni geste prelomil z obstoječim"}],"edm:type":"TEXT","dc:type":[{"@xml:lang":"sl","#text":"znanstveno časopisje"},{"@xml:lang":"en","#text":"journals"},{"@rdf:resource":"http://www.wikidata.org/entity/Q361785"}]},"ore:Aggregation":{"@rdf:about":"http://www.dlib.si/?URN=URN:NBN:SI:doc-V3V7N110","edm:aggregatedCHO":{"@rdf:resource":"URN:NBN:SI:doc-V3V7N110"},"edm:isShownBy":{"@rdf:resource":"http://www.dlib.si/stream/URN:NBN:SI:doc-V3V7N110/ea14b21f-1de1-48d6-b6a8-93f2cf503916/PDF"},"edm:rights":{"@rdf:resource":"http://creativecommons.org/licenses/by-nc/4.0/"},"edm:provider":"Slovenian National E-content Aggregator","edm:intermediateProvider":{"@xml:lang":"en","#text":"National and University Library of Slovenia"},"edm:dataProvider":{"@xml:lang":"sl","#text":"Zgodovinsko društvo za južno Primorsko "},"edm:object":{"@rdf:resource":"http://www.dlib.si/streamdb/URN:NBN:SI:doc-V3V7N110/maxi/edm"},"edm:isShownAt":{"@rdf:resource":"http://www.dlib.si/details/URN:NBN:SI:doc-V3V7N110"}}}}