<Record><identifier xmlns="http://purl.org/dc/elements/1.1/">URN:NBN:SI:doc-WIVCCI03</identifier><date>2006</date><creator>Boisits, Barbara</creator><relation>documents/doc/W/URN_NBN_SI_doc-WIVCCI03_001.pdf</relation><relation>documents/doc/W/URN_NBN_SI_doc-WIVCCI03_001.txt</relation><format format_type="issue">2</format><format format_type="volume">2</format><format format_type="type">article</format><format format_type="extent">str. 43-52</format><identifier identifier_type="ISSN">1854-3405</identifier><identifier identifier_type="COBISSID">27401773</identifier><identifier identifier_type="URN">URN:NBN:SI:doc-WIVCCI03</identifier><language>ger</language><publisher>Muzikološki inštitut ZRC SAZU</publisher><source>De musica disserenda</source><rights>InC</rights><subject language_type_id="slv">Ambros, August Wilhelm, 1816-1876</subject><subject language_type_id="slv">glasba</subject><subject language_type_id="slv">glasbena estetika</subject><subject language_type_id="slv">Hanslick, Eduard, 1825-1904</subject><subject language_type_id="eng">music</subject><title>"Tönend bewegte Formen" oder "seelischer Ausdruck" zu einer musikästhetischen Streitfrage im 19. Jahrhundert</title></Record>