601 KB44 KB0 KB196520252018Koter, Darjaštevilka:2letnik:54str. 209-221ISSN:0580-373XCOBISSID:2762119URN:URN:NBN:SI:doc-WK69NFC9slZnanstvena založba Filozofske fakulteteMuzikološki zbornikavantgardna glasbaOsterc, SlavkoPahor, Karolslogovni pluralizemslovenski skladateljitradicionalna glasbaSlogovni pluralizem v delih Karola Pahorja| Stylistic pluralism in the works of Karol Pahor|Karol Pahor (1896-1974) stood out on several levels and is recognized as one of the most distinguished students of Slavko Osterc, his opus shows the stylistic diversity resulting from various factors. As a composer he deviates from the usual stereotypes, the standard being that the composer relies on his teacher during his formative years then sharpens and profiles in his own direction which leads him forward and often changes with the new contemporary compositional schools. This article attempts to determine what patterns and views he had through different periods and how he was shaped as a composer by the environment in which he lived and workedKarol Pahor (1896-1974) se je kot skladatelj proslavil na več ravneh in je prepoznan je kot eden najznačilnejših učencev Slavka Osterca, njegov opus pa kaže na slogovno raznolikost, ki je pos-ledica različnih dejavnikov. Kot skladatelj namreč odstopa od običajnih stereotipov, za katere velja, da se komponist v mladih letih opira na svoje uči-telje, se nato izostri in profilira v lastno smer, ki ga vodi naprej in ob novih aktualnih kompozicijskih šolah pogosto spreminja. Skušali bomo ugotovi-ti, kakšne vzore in nazore je imel skozi različna obdobja in kako ga je kot skladatelja oblikovalo okolje, v katerem je živel in delovalTEXTznanstveno časopisjejournalsSlovenian National E-content AggregatorNational and University Library of SloveniaUniverza v Ljubljani, Filozofska fakulteta